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Layers of Musical Meaning
This book is a radical attempt to explain musical meaning as the complex fabric of tension and relaxation resulting from the courses of the individual musical elements: e.g. rhythm, where the musical tension manifests itself by the opposition between strong and weak beats - or harmony, where the chords of the tonal cadence generate courses of tension and relaxation. It is strongly emphasized that the total structure of contributors to the web of tension/relaxation, in short, the musical style, is constantly changing, and it is an error to believe that any musical way of articulation is eternal: new ways of expression arrive and others drop out gradually - precisely as with ordinary language....
Harbingers of Twentieth-Century Neo-classicism
This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod, and the Danish Niels W. Gade - to discuss his thesis that the main classical-romantic current of the 19th century in fact represents two sub-currents. One sub-current focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. In close readings of works by these three composers, Hansen demonstrates how in different aspects they were harbingers of the neo-classical style - a style that is usually exemplified through later composers like Igor Stravinsky, Paul Hindemith and the members of the French group Les Six. Hansen labels these harbingers' style as retro-classicism. Finn Egeland Hansen's doctoral dissertation was on The Grammar of Gregorian Tonality (1979), and his most recent book is Layers of Musical Meaning (2006). Since 1990 he has been Chairman of the Foundation for the Publication of the Works of Niels W. Gade.
Inside the Offertory
The offertory has played a key role in the recent debates about the origins of Gregorian chant. This book offers a comprehensive study of the offertory, considering the music, lyrics, and liturgical history to shed new light on its origins and chronology.
Innovation Through Co-operation
LIBER, the principal association of research libraries in Europe, was founded in 1971, under the auspices of the Council of Europe. The driving force behind the new association was a small dedicated group of European librarians, led by Jean-Pierre Clavel, Director of the Bibliothèque Cantonale et Universitaire, Lausanne. Their goal was to give European research libraries, national and university, a distinctive and compelling voice in the international library community. The chosen name LIBER (Ligue des Bibliothèques Européennes de Recherche) was redolent of both books and freedom. This history, covering the years from 1971 to 2009, documents a unique period in European history. The contin...
Carl Nielsen Studies
These volumes provide a forum for the spectrum of historical, analytical and aesthetic approaches to the study of Nielsen's music from an international line-up of contributors. In addition, each volume features reviews and reports on current Nielsen projects and an updated Nielsen bibliography...
The Critical Editing of Music
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Music Education
Music Education: Source Readings from Ancient Greece to Today is a collection of thematically organized essays that illuminate the importance of music education to individuals, communities and nations. The fourth edition has been expanded to address the significant societal changes that have occurred since the publication of the last edition, with a greater focus on current readings in government, philosophy, psychology, curriculum, sociology, and advocacy. This comprehensive text remains an essential reference for music educators today, demonstrating the value and support of their profession in the societies in which they live.
Carl Nielsen's Voice
This book offers a comprehensive account of Carl Nielsen as a composer, viewed from the point of a musicologist with an international background and with considerable insight into Danish language and culture. Anne-Marie Reynolds examines a large portion of Carl Nielsen's songs, both in relation to his own production and in a broader cultural/historical context. This is also the first time in the reception history of Carl Nielsen that an in-depth analysis of his songs is presented. In addition to this analysis, the author provides a stylistic comparative examination of the songs, as well as two of his most important works the first symphony and the opera Masquerade. This is done to demonstrate that the opposition between Carl Nielsen as a composer of songs and Carl Nielsen as the composer of "great" works is only a seeming opposition. The book which is the result of a collaboration with Niels Krabbe, head of the Carl Nielsen Edition at The Royal Library will be published simultane
Medieval Music and the Art of Memory
Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind...
