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Modern Nordic Plays
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Odin Teatret
Odin Teatret blev opfattet som udansk og fremmedartet, da italienske Eugenio Barba og fem unge skuespillere i 1966 indvandrede til Holstebro. Lige siden har teatrets arbejde med "erobring af anderledeshed" været en stærk inspiration for både den danske og den internationale teaterverden - ligesom teatret gennem årene udviklede et frodigt samspil med sin hjemby. En kreds af danske kunstnere og kulturforskere fortæller her om deres personlige møde og faglige udvekslinger med Odin Teatret, i forløb der ofte spænder over 30-40 år. Samtidig giver teksterne indblik i, hvordan teaterlaboratoriet arbejder med kunstneriske, kulturelle og politiske forandringer. Bogen belyser det ellers inter...
Odin Teatret 2000
The Odin Teatret was founded in 1964 in Norway and for 34 years has been based in Holstebro, Denmark, away from the capital and the centre for theatre. It also tours in other countries. What makes this theatre special in comparison to others, is that "it comprehends theatre as a specific social and spatial reality, often expressed through the metaphor of a monastery, ghetto or exile". The theatre laboratory has many other activities than the mere creation of theatre performances; it also conducts seminars, conferences and meetings with theatre people from around the world. It has published a series of books and magazines about theatre technique and theory and produced films and videos.
The Odin Teatret Archives
The Odin Teatret Archives presents collections from the archives of one of the foremost reference points in global theatre. Letters, notes, work diaries, articles, and a wealth of photographs all chart the daily activity that underpins the life of Odin Teatret, telling the adventurous, complex stories which have produced the pioneering work that defines Odin's laboratory approach to theatre. Odin Teatret have been at the forefront of theatrical innovation for over fifty years, devising new strategies for actor training, knowledge sharing, performance making, theatrical alliances, and ways of creating and encountering audiences. Their extraordinary work has pushed boundaries between Western and Eastern theatre; between process and performance; and between different theatre networks across the world. In this unique volume, Mirella Schino brings together a never before seen collection of source materials which reveal the social, political, and artistic questions facing not just one groundbreaking company, but everyone who tries to make a life in the theatre.
Theatre in Denmark
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Fiol
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Books
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3. fiol
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Playscript
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