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While countless breastfeeding guides crowd bookshelves, not one of them speaks to women with anything approaching bestselling author Fiona Giles's level of intimacy and vitality. In Fresh Milk, through a provocative collection of stories, memories, and personal accounts, Giles uncovers the myths and truths of the lactating breast. From the young mother grappling with the bewildering trappings of maternity wear to the woman who finds herself surprisingly aroused by new sensations, and the modern dad who learns the ins and outs of breastfeeding, the portraits in Giles's eye-opening book offer a funny, wise, and comforting resource for women -- and even their friends and partners who have had, or expect, intimate experiences with the pleasures and pain of lactation. By turns poignant and informative, sexy and witty, empathic and empowering, Fresh Milk delivers everything we wanted to know about breastfeeding that our mothers never told us.
Fiona isn't one to live an everyday noble life. Instead, she finds more fulfillment in working hard. But when she overhears her father planning an arranged marriage for her to her childhood friend, she's desperate to stop it! Luckily, she meets Giles, the son of an earl and the town darling who's also hoping to avoid marriage. Together they hatch the perfect plan to thwart their parents' matchmaking: by pretending to be soulmates! A flawless plan that can't possibly go wrong. Right...?
In many forms of discourse, specific parts of the human anatomy may signify the whole body/person. In this volume, scholars from a variety of historical and cultural studies disciplines examine scientific, medical, popular, and literary texts, paying special attention to the different strategies employed in order to establish authority over the body through the management of a single part. By considering body parts that are usually ignored by scholars, these essays render the idea of a single, coherent body untenable by demonstrating that the body is not a transhistorical entity, but rather, deeply fragmented and fundamentally situated in a number of different contexts.
Breastwork delivers an original and personal approach to a near-universal practice and doesn't shy from controversy or controversial topics, such as sexual desire and breastfeeding. It features a broad range of illustrations from Renaissance paintings of mother and child (Madonna del Latte) to Jerry Hall breastfeeding on the cover of Vanity Fair and Kate Langbroek breastfeeding on The Panel to a banned New Zealand health poster of a man breastfeeding at work.
Fiona Clayburn is one lucky girl. Not only does she have a job she loves, working with fine art at Gallery Roche, but she's also managed to catch the eye of one of the most desired bachelors around--Giles, son of the Earl of Bancroft--and they're madly in love. Well, that's what everyone thinks, anyway. Little do they know it's all but a ruse to help the pair achieve their individual dreams and goals. After all, Fiona couldn't have possibly melted the Icy Scion's heart...right? But fake-love pacts aside, the two find themselves saddled with a case to crack when they pay a visit to Giles's godmother, the Marchioness of Heyward, to appraise a painting--only to discover it hides a terrifying secret!
The editor of the acclaimed "Dick for a Day" turns the tables and queries: What would you do if you were a woman for just one day? She gets a range of thought-provoking answers in these stories, poems, and one-liners by celebrated male writers.
The argument has been made that memoir reflects and augments the narcissistic tendencies of our neo-liberal age. The Literature of Remembering: Tracing the Limits of Memoir challenges and dismantles that assumption. Focusing on the history, theory and practice of memoir writing, editors Bunty Avieson, Fiona Giles and Sue Joseph provide a thorough and cutting-edge examination of memoir through the lenses of ethics, practice and innovation. By investigating memoir across cultural boundaries, in its various guises, and tracing its limits, the editors convincingly demonstrate the plurality of ways in which memoir is helping us make sense of who we are, who we were and the influences that shape us along the way.
Over the past decade geographers have shown a growing interest in 'the body' as an important co-ordinate of subjectivity and as a way of understanding further relationships between people, place and space. To date, however geographers have published little on what is one of, if not the, most important of all bodies - bodies that conceive, give birth and nurture other bodies. It is time that feminist, social, and cultural geographers contributed more to debates about maternal bodies. This book offers a series of windows on the ways in which maternal bodies influence, and are influenced by, social and spatial processes. Topics covered include women ‘coming out’ as pregnant at work, changing fashion for pregnant women, being disabled and pregnant, the politics of home versus hospital birth, breastfeeding practices that sit outside the norm, women who are constructed as ‘bad’ mothers, and ‘e-mums’ (mothers who go on-line).
The body is increasingly understood as being at the centre of colonial and post-colonial relationships and textual productions. Creating and circulating images of the undisciplined body of the 'other' was and is a critical aspect of colonialism. Likewise, resistance to colonial practices was also frequently corporeal, with indigenous peoples appropriating, parodying, and subverting those European practices which were used to signify the 'civilized' status of the colonizing body. The Body in the Library reads representations of the corporeal in texts of empire; case studies include: • gendered representations of corporeality • medical régimes • ethnography and photography in the Pacifi...
In this energetic new study, Wendy Mitchinson traces medical perspectives on the treatment of women in Canada in the first half of the twentieth century. It is based on in-depth research in a variety of archival sources, including Canadian medical journals, textbooks used in many of Canada's medical faculties, popular health literature, patient case records, and hospital annual reports, as well as interviews with women who lived during the period. Each chapter examines events throughout a woman's life cycle puberty, menstruation, sexuality, marriage and motherhood and the health problems connected to them infertility, birth control and abortion, gynaecology, cancer, nervous disorders, and menopause. Mitchinson provides a sensitive understanding of the physician/patient relationship, the unease of many doctors about the bodies of their female patients, as well as overriding concerns about the relationship between female and male bodies. Throughout the book, Mitchinson takes care to examine the roles and agency of both patients and practitioners as diverse individuals.