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Dutch and Flemish Feminist Poems from the Middle Ages to the Present
A unique collection of the best Dutch and Flemish poetry by and about women.
Poems of Guido Gezelle
The Bruges-born poet-priest Guido Gezelle(1830–1899) is generally considered one of the masters of nineteenth-century European lyric poetry. At the end of his life and in the first two decades of the twentieth century, Gezellewas hailed by the avant-garde as the founder of modern Flemish poetry. His unique voice was belatedly recognised in the Netherlands and often compared with his English contemporary Gerard Manley Hopkins (1844–1889). In this bilingual anthology, award-winning translator Paul Vincent selects a representative picture of Gezelle’soutput, from devotional through narrative, to celebratory and expressionistic. Gezelle’sfavourite themes are childhood, the Flemish landsc...
Quartet
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Flemish
"Her poems invite the more intellectual emotions: bemusement, the breathlessness of newborn understanding."—The Village Voice
Guido Gezelle
In this first English-language study of one of Flanders' greatest poets, Hermine J. van Nuis presents an overview of Guido Gezelle's major poetry collections and focuses upon his evolution as a poet and thinker. The author places Gezelle's poetry within its significant cultural and political contexts and analyzes his major poetry collections in terms of the circumstances of his life that shaped them. Synthesizing various critical viewpoints expressed in Netherlandic scholarship, van Nuis demonstrates how Gezelle's poetic technique paved the way for modern Dutch poetry. The volume is complete with a selected bibliography, notes, references, and a chronology of the poet's life.
Illuminating the Borders of Northern French and Flemish Manuscripts, 1270-1310
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia's physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
