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The two issues around which this collection revolves are that it is impossible to address biopolitics without taking the animal question into account, and that the animal question inherently concerns the politics of life beyond species barriers. Although biopolitical theories are necessarily structured around animal metaphors, they predominantly refer to human corporeality. On the other hand, the animal question is typically treated as an ethical issue, that is, a question of how human beings, the dominant species, ought to learn how to live peaceably with and respect other forms of life. This collection of essays by leading scholars in the fields of biopolitics and animal studies problematises, reconceptualises, and redefines these categories in order to realise the full potential of the biopolitical framework of analysis in the context of animal studies and praxis.
Has the Affective Turn itself turned sour? Two seemingly contradictory developments serve as starting points for this volume. First, technologies from affective computing to social robotics focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Second, we witness a deeply concerning rise in hate speech, cybermobbing, and incitement to violence via social media. Affect gets mobilized, fomented, unleashed. Politics has become affective to such an extent that we need to rethink our regimes of affect organization. Media and Affect Studies now have to prove that they can cope with the return of the affective real.
This volume investigates our dissonant and exuberant existences online. As social media users we know we’re under surveillance, yet we continue to click, like, love and share ourselves online as if nothing was. So, how do we overcome the current online identity regime? Can we overthrow the rule of Narcissus and destroy the planetary middle class subject? In this catalogue of strategies, the reader will find stories on hacker groups, gaming platforms in the occupied territories, art objects, selfies, augmented reality, Gen Z autoethnographies, love and life. The authors of this anthology believe we cannot simply put vanity aside and a rational analysis of platform capitalism is not going to...
Hearing, health, and technologies are entangled in multi-faceted ways. This edited volume addresses this complex relationship by arguing that modern hearing was and is increasingly linked to and mediated by technological innovations. By providing a set of original interdisciplinary investigations that shed new light on the history, theory, and practices of hearing techniques, it is able to explore the heterogeneous entanglements of sound, hearing practices, technologies, and health issues. As the first book to bring together historians, scholars from media studies, social sciences, cultural studies, acoustics, and neuroscientists, the volume discusses modern technologies and their decisive i...
What is AI? A dominant view describes it as the quest "to solve intelligence" - a solution supposedly to be found in the secret logic of the mind or in the deep physiology of the brain, such as in its complex neural networks. The Eye of the Master argues, to the contrary, that the inner code of AI is shaped not by the imitation of biological intelligence, but the intelligence of labour and social relations, as it is found in Babbage's "calculating engines" of the industrial age as well as in the recent algorithms for image recognition and surveillance. The idea that AI may one day become autonomous (or "sentient", as someone thought of Google's LaMDA) is pure fantasy. Computer algorithms have always imitated the form of social relations and the organisation of labour in their own inner structure and their purpose remains blind automation. The Eye of the Master urges a new literacy on AI for scientists, journalists and new generations of activists, who should recognise that the "mystery" of AI is just the automation of labour at the highest degree, not intelligence per se.
This volume presents the preliminary results of the work carried out by the interdisciplinary cultural techniques research lab at the University of Erfurt. Taking up an impulse from media studies, its contributions examine —from a variety of disciplinary perspectives—the interplay between the formative processes of knowledge and action outlined within the conceptual framework of cultural techniques. Case studies in the fields of history, literary (and media) studies, and the history of science reconstruct seemingly fundamental demarcations such as nature and culture, the human and the nonhuman, and materiality and the symbolical order as the result of concrete practices and operations. These studies reveal that particularly basic operations of spatialization form the very conditions that determine emergence within any cultural order. Ranging from manual and philological "paper work" to practices of opening up and closing off spaces and collective techniques of assembly, these case studies replace the grand narratives of cultural history focusing on micrological examinations of specific constellations between human and nonhuman actors.
An essential exploration of the video game aesthetic that decenters the human player—requiring little human action—and challenges what it means to play. Do we play video games or do video games play us? Is nonhuman play a mere paradox or the future of gaming? And what do video games have to do with quantum theory? In Playing at a Distance, Sonia Fizek engages with these and many more daunting questions, forging new ways to think and talk about games and play that decenter the human player and explore a variety of play formats and practices that require surprisingly little human action. Idling in clicker games, wandering in walking simulators, automating gameplay with bots, or simply watc...
Politics of Withdrawal considers the significance of practices and theories of withdrawal for radical thinking today. With contributions of major theorists in the fields of contemporary political philosophy, cultural studies and media studies, the chapters investigate the multiple contexts, possibilities and impasses of political withdrawal – from the radical to the seemingly mundane – and reflect a range of case studies varying from the political thinking of Debord, the Invisible Committee, Moten and Harney, feminist notions of ‘strike’ and ‘exit’, and indigenous forms of sabotage, to the individual retreat as means of reconfiguring political subjectivity. It looks at technological failure as disconnection from surveillance, and from alternative financial futures to contemporary ‘pharmako-politics.’ The volume provides a vital grip on a key notion in contemporary radical politics, in all its complexity, contradictions and tribulations.
A historical and theoretical investigation of the unexpected ways screen-based media protect and excite viewers’ fears and anxieties of the world In this brilliant contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical...