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The Maeght Family
This is the first and only book to tell the story of the extremely strong friendships that have linked one remarkable family to literally hundreds of contemporary artists. Miro, Chagall, Mariss, Breton and Duchamp, these are just some of the legendary artists associated with the Maeght family. The original Maeght Gallery was opened in Paris in 1946, today, the Adrien Maeght Gallery is just streets away. The family started its own publishing business, producing catalogues of today's best known artists, but its best legacy is the Aime and Marguerite Maeght Foundation. This museum in the South of France houses some of the greatest masterpieces of 20th Century art and is an architectural marvel in its own right. Told with an authenticity and in-depth knowledge, here is the story of this unique landmark of modern art. The key moments in the family's life are illustrated with over 300 documents that enhance the text's chronology.
Monory
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Braque
This volume is the catalogue for the spring 1997 exhibition at the Royal Academy in London and at the summer 1997 exhibition at the Menil Collection in Houston. The exhibition focuses on Braque's late works including the Interiors, Billiard Tables and the late Bird paintings.
The Lure and the Truth of Painting
Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.
Behind the Mirror
"First published on the occasion of the exhibition Miro, Calder, Giacometti, Braque: Aime Maeght and his artists, Royal Academy of Arts, 4 October 2008-2 January 2009"--T.p. verso.
French News
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Bernard Moninot
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The Making of Modern Art
A new collection of key texts from a leading critic of modern art The critic Michael Peppiatt has been described by Art Newspaper as “the best art writer of his generation.” For more than 50 years, he has written trenchant and lively dispatches from the center of the international art world. In this new volume of key works, Peppiatt gives his unique insight into the making, collection, display, and interpretation of modern art. Covering the whole spectrum of modern art—from pioneers such as Gustav Klimt and Chaim Soutine, to collectors and dealers who played a pivotal role in the modern art world, to artists such as Francis Bacon, Bill Jacklin, and Frank Auerbach, with whom he had close relationships—Peppiatt interweaves personal anecdote with critical judgment. Each text is accompanied by a new short introduction, written in Peppiatt’s signature vivid and jargon-free style, in which he contextualizes his writings and reflects on significant moments in a lifetime of artistic engagement. This volume will provide readers with an exhilarating tour of 20th-century art.
