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The Politics of Passion
The Politics of Passion is the first comprehensive collection of the writing and art of Dr Norman Bethune. A Canadian medical pioneer and a communist, Bethune gained fame during the 1930s while serving in the Spanish Civil War and participating in China's struggle against Japanese invasion. This book sheds light on the man, the artist, and the revolutionary. It uncovers new historical material relating to several controversies surrounding Bethune. A remarkable document obtained from the Communist International Archives in Moscow, for instance, discusses why Bethune was sent home in disgrace from the Spanish Civil War. It refers to a mysterious Swedish woman, Kajsa von Rothman, who was Bethun...
Growing Together
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Phoenix
A biographical account of the life of Norman Bethune, detailing the story of his life including his career as a surgeon, his fight to eradicate tuberculosis, his commitment to establish a medicare system in Canada, and his communist ideologies, through considerable research and interviews with friends, family, former patients and colleagues.
Norman Bethune
Dr. Bethune fought against injustice and suffering wherever he found it. His mobile medical units saved countless lives in the Spanish Civil War. He died a hero to the Chinese people.
The Biography of a New Canadian Family
A Happy and Informative Present: at the new Université de Sherbrooke, Pierre had developed a four-month teaching program for clinical nurses prior to their departure to the Canadian Far North where they would be in charge of a Nursing Station. In 1973, a group of them gave me as a parting gift the French translation of “The Scalpel and the Sword” by Ted Allen and Sydney Gordon (Toronto, 1952); the French version was by Jean Pare, 'Docteur Bethune' (Montreal, 1973). As new Canadians, we thought it odd that the French version should take 20 years to appear on the scene. We had been in Canada for 15 years. In 1975, Pierre's career led him to 1'hospitaldu Sacré-Coeur where Dr. Bethune work...
The Oxford American Book of Great Music Writing
Not only have a breathtaking array of musical giants come from the South—think Elvis Presley, Robert Johnson, Louis Armstrong, Jimmie Rodgers, to name just obvious examples—but so have a breathtaking array of American music genres. From blues to rock & roll to jazz to country to bluegrass—and areas in between—it all started in the American South. Since its debut in 1996, The Oxford American's more-or-less annual Southern Music Issue has become legendary for its passionate and wide-ranging approach to music and for working with some of America's greatest writers. These writers—from Peter Guralnick to Nick Tosches to Susan Straight to William Gay—probe the lives and legacies of Southern musicians you may or may not yet be familiar with, but whom you'll love being introduced, or reintroduced, to. In one creative, fresh way or another, these writers also uncover the essence of music—and why music has such power over us. To celebrate ten years of Southern music issues, most of which are sold-out or very hard to find, the fifty-five essays collected in this dynamic, wide-ranging, and vast anthology appeal to both music fans and fans of great writing.
Blood and War at My Doorstep
"Between these pages the reader will learn that North Carolina citizens did not idly stand by as their soldiers marched off to war. The women worked themselves into “patriotic exhaustion” through Aid Societies. Civilians with different means of support from the lower class to the plantation mistress wrote the governor complaining of hoarding, speculation, the tithe, bushwhackers, unionism, conscription, and exemptions. Never before had so many died due to guerilla warfare. Unknown before starving women with weapons stormed the merchant or warehouses in search for food. Others turned to smuggling, spying, or nature’s oldest profession. Information from period newspapers, as well as mostly unpublished letters, tell their stories."
Black Women in the Ivory Tower, 1850-1954
Evans chronicles the stories of African American women who struggled for and won access to formal education, beginning in 1850, when Lucy Stanton, a student at Oberlin College, earned the first college diploma conferred on an African American woman. In the century between the Civil War and the civil rights movement, a critical increase in black women's educational attainment mirrored unprecedented national growth in American education. Evans reveals how black women demanded space as students and asserted their voices as educators--despite such barriers as violence, discrimination, and oppressive campus policies--contributing in significant ways to higher education in the United States. She a...
