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The Excursion
Frances Brooke (1724-1789), journalist, translator, playwright, novelist, and even co-manager of a theater, was described as "perhaps the first female novel-writer who attained a perfect purity and polish of style." Today, Brooke is known primarily for The History of Emily Montague, one of the earliest novels about Canada, where she lived for a number of years. But it is her third novel, The Excursion, that is an important example of the fashionable and popular English novels of the late 1770s. Written for the very audience it portrays, this novel introduces the heroine, Maria Villiers, to London's "gentle" society and its glittering pastimes. Brooke drew upon the English courtship novel in ...
Frances Brooke
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A Superfluous Woman
Aristocratic Jessamine Halliday, suffering a “splenetic seizure” brought on by high breeding, is prescribed a therapeutic break in the Scottish Highlands. While there, she falls in love with handsome crofter Colin Macgillvray and makes an indecent proposal by offering him the “unconditional surrender” of her body but refusing to give her hand in marriage. A Superfluous Woman is an audacious exploration of the fin-de-siècle preoccupation with race, class, and the sexual double standard. Unsurprisingly, Brooke’s novel caused outrage among critics. Campaigner W. T. Stead denounced it as “an immoral tale,” and The Times lamented its distinctly feminist message. This reaction, and Brooke’s boldness, ensured that it became one of the best-selling New Woman novels of the 1890s.
The History of Emily Montague
Frequently called the first Canadian novel, The History of Emily Montague, presents subversive views on traditional subjects like love and marriage and introduces such unique Canadian themes as the relationships between the Québecois and their British conquerors and the customs and habits of the native peoples.
Feminist Comedy
Feminist Comedy: Women Playwrights of London identifies the eighteenth-century comedic stage as a key site of feminist critique, practice, and experimentation. While the history of feminism and comedy is undeniably vexed, by focusing on five women playwrights of the latter half of the eighteenth century--Catherine Clive, Frances Brooke, Frances Burney, Hannah Cowley, and Elizabeth Inchbald--this book demonstrates that stage comedy was crucial to these women’s professional success in a male-dominated industry and reveals a unifying thread of feminist critique that connects their works. Though male detractors denied women’s comic ability throughout the era, eighteenth-century women playwrights were on the cutting edge of comedy and their work had important feminist influence that can be traced to today’s stages and screens.
The History of Lady Julia Mandeville
Published in 1763, The History of Lady Julia Mandeville was Frances Brooke’s first and most successful novel. This modern critical edition contains an introductory essay on the text, endnotes and textual variants as well as appendices containing contemporary reviews and some of Brooke’s other writing.
