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The Book of Revelation's legacy of visual imagery is evaluated here, from the 11th century to the end of World War 2 illuminated manuscripts, books, prints and drawings of apocalyptic phases are examined.
I have called you here to reveal to you a truth that has been calling to you for many years. . . . Since then your soul has been seeking rest. Playwright Carey McCullough is a close guardian of his privacy, haunted by a recurring dream and a damaged past he would like to keep there. But some things he can never forget. And the more he pushes them away, the more uprooted he feels. The women he has loved, lusted after, rejected, and embraced represent a lifetime of trial and error, adventure and compromise. Then, while in Jamaica, he crosses paths with a radiant woman who attracts him like a flame. Then he remembers. The first time Carey saw Frances, she was singing a blues song on a videotape...
Writing in 1868, the Philadelphia publisher-cum-historian Henry Charles Lea informed a friend, “I am trying to collect the materials for a history of the Inquisition.” The collecting of these materials—books, manuscripts, and copies of thousands of pages of documents housed in musty European archives and libraries—would occupy Lea (1825–1909) for the remainder of his life. It also led to publication of A History of the Inquisition of the Middle Ages (1884–87) and his acknowledged masterpiece, A History of the Inquisition of Spain (1906–7). Regarded as classics, these path-breaking books inaugurated better understanding of the history of an institution whose aims and methods tro...
From The Matrix and Harry Potter to Stargate SG:1 and The X-Files, recent science fiction and fantasy offerings both reflect and produce a sense of the religious. This work examines this pop-culture spirituality, or "postmodern sacred," showing how consumers use the symbols contained in explicitly "unreal" texts to gain a secondhand experience of transcendence and belief. Topics include how media technologies like CGI have blurred the lines between real and unreal, the polytheisms of Buffy and Xena, the New Age Gnosticism of The DaVinci Code, the Islamic "Other" and science fiction's response to 9/11, and the Christian Right and popular culture. Today's pervasive, saturated media culture, this work shows, has utterly collapsed the sacred/profane binary, so that popular culture is not only powerfully shaped by the discourses of religion, but also shapes how the religious appears and is experienced in the contemporary world.
Käthe Kollwitz (1867-1945) developed a mastery of graphic art which quickly established her reputation in Germany, then further afield as her influence spread internationally after the First World War. Establishing herself in an art world dominated by men, Kollwitz developed a vision centred on women and the working class. 'Portrait of the Artist' looks at her work through the exploration of self-portraits and portraits of working women, her two great series concerned with social injustice: Ein Weberaufstand (A Weavers' Revolt, 1897) and Bauernkrieg (Peasants' War, 1908), the ever-present imagery of death, especially a mother's grief, and finally the theme of war and remembrance after her younger son, Peter, had been killed at the beginning of the First World War. The exhibition is drawn from the collection of the British Museum and is complemented by a small number of loans from a private owner and The Barber Institute of Fine Arts at the University of Birmingham.
Interfaith marriage is a visible and often controversial part of American life--and one with a significant history. This is the first historical study of religious diversity in the home. Anne Rose draws a vivid picture of interfaith marriages over the century before World War I, their problems and their social consequences. She shows how mixed-faith families became agents of change in a culture moving toward pluralism. Following them over several generations, Rose tracks the experiences of twenty-six interfaith families who recorded their thoughts and feelings in letters, journals, and memoirs. She examines the decisions husbands and wives made about religious commitment, their relationships...