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Gordon Matta-Clark
Bringing a poet’s perspective to an artist’s archive, this highly original book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. He is celebrated for his “anarchitectural” environments and performances, and the films, photographs, drawings, and sculptural fragments with which his site-specific work was documented. In studies of his career, the artist’s provocative and vivid...
Anarch
Poetry. "This collection of poems addresses the fundamental question of our time: what is it to be human? If we are strange to each other and ourselves, then how do we know it? What is strangeness if not a recognition of something we can recognize? We can no longer see the earth (especially from the sky) as uneffected by all our experiments, hurled down, trashed, in pursuit of happiness. Frances Richard goes to the material roots of our search and turns away, and takes off, after another purpose. This book has the spirit of anthropology and philosophy, and also reveals the underlying structures of these two disciplines as a problem for artists to solve. Why? Because if words go down with the...
The Phonemes
Poetry. In THE PHONEMES, Frances Richard investigates perceptually distinct units of experience sounds, energy surges, scraps of national and natural history to create episodes of disruption and dissolution. Robert Fitterman: "There isn't anyone else in the basement] doing quite what these meteors are doing." Lee Ann Brown: "Sophisticated and surprising employment of collage and juxtaposition of 'the found' makes for a rarified and well-wrought leap forward in radical cross-disciplinary and cross-genre collage." Ronaldo V. Wilson: "Each folded articulation of sense and perception, of history, volition, identity, and loss is rendered in this book's stunning stance, its gorgeous delivery, where language, symbol, sign, and picture meet to punctuate, forecast and project what's possible within and beyond the real of ---=*-=- -- - - =*-- - = -." THE PHONEMES is published as as part of the TrenchArt: Recon Series, with an Introduction by Ronaldo V. Wilson and visual art by Renee Petropoulos."
See Through
See Through is an obsessive, glittering, ingenious series of investigations: of containment and permeability, comprehension and comprehensiveness, loss and absence. The sonoral qualities of Richard’s language are both discordant and smooth, clotted and adamant and fast and lovely. Her poems rocket as thought rockets, both toward and away from sources of anguish and of relief. "Mirage or frieze/ of quell and thrill collide," Richard writes, her poet-speaker taking on the "forcible can’t-not-imagine goad" that a haunted daughter, bereaved by her mother’s suicide, must constantly face or evade. In See Through, we inhabit spaces whose frames dissolve; we move between worlds, wondering what...
