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Not Simply Divine
Divine's former personal manager takes readers through a labyrinth of American subcultures, countercultures, and glimmering nightlife to tell this no-holds-barred story of a man who did anything to become a star Another breathtaking work from Simon & Schuster, Not Simply Divine is he biography that tells all, exploring the subcultures of America—experimental movies, gay theater, glittering nightlife, base debauchery—the world of Divine, the cross-dressing cult hero whose sudden death came on the eve of his greatest stardom.
My Son Divine
A remarkable biography of Divine, the legendary drag queen and star of John Waters' cult films 'Female Trouble', Pink Flamingos', 'Polyester' and 'Hairspray'. Written by his mother, it follows Divine's life from angelic choirboy to troubled teen to flamboyant adult and reveals a never-before-seen side of the internationally renowned actor and drag performer. Illustrated with hundreds of b/w and colour photographs, this is a major biography of one of the world's best loved gay icons.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
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Building Sustainable Worlds
Latina/o/x places exist as both tangible physical phenomena and gatherings created and maintained by creative cultural practices. In this collection, an interdisciplinary group of contributors critically examines the many ways that varied Latina/o/x communities cohere through cultural expression. Authors consider how our embodied experiences of place, together with our histories and knowledge, inform our imagination and reimagination of our surroundings in acts of placemaking. This placemaking often considers environmental sustainability as it helps to sustain communities in the face of xenophobia and racism through cultural expression ranging from festivals to zines to sanctuary movements. It emerges not only in specific locations but as movement within and between sites; not only as part of a built environment, but also as an aesthetic practice; and not only because of efforts by cultural, political, and institutional leaders, but through mass media and countless human interactions. A rare and crucial perspective on Latina/o/x people in the Midwest, Building Sustainable Worlds reveals how expressive culture contributes to, and sustains, a sense of place in an uncertain era.
