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And in Our Hearts Take Up Thy Rest
In his seminary classes and his writings, Frederick Crowe, SJ (1915-2012) sought to understand anew the eternal identity of the Holy Spirit and the Spirit's role in the Church's life. Despite Crowe's fame as a professor of Trinitarian theology and his groundbreaking work on Thomas Aquinas' doctrine of complacent love as an analogy for the Holy Spirit's eternal procession, no book has ever been published on this influential Canadian Jesuit, who set up centres around the world for the study of the thought of Bernard Lonergan, SJ (1904-84). Drawing on Crowe's published works and archival material, Eades emphasizes how Crowe's Trinitarian pneumatology modestly and creatively extended Lonergan's theology of the Holy Spirit. Making use of Crowe's own historical methodology, Eades looks for the emergence of new and significant questions about the Holy Spirit in Crowe's works.
The End of the Old Regime in Europe, 1776-1789, Part II
Franco Venturi, premier European interpreter of the Enlightenment, is still completing his acclaimed multi-volume work, a grand synthesis of Western history before the French Revolution as seen through the perceptive eyes of Italian observers. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Transforming the Church Interior in Renaissance Florence
Before the late sixteenth century, the churches of Florence were internally divided by monumental screens that separated the laity in the nave from the clergy in the choir precinct. Enabling both separation and mediation, these screens were impressive artistic structures that controlled social interactions, facilitated liturgical performances, and variably framed or obscured religious ritual and imagery. In the 1560s and 70s, screens were routinely destroyed in a period of religious reforms, irreversibly transforming the function, meaning, and spatial dynamics of the church interior. In this volume, Joanne Allen explores the widespread presence of screens and their role in Florentine social and religious life prior to the Counter-Reformation. She presents unpublished documentation and new reconstructions of screens and the choir precincts which they delimited. Elucidating issues such as gender, patronage, and class, her study makes these vanished structures comprehensible and deepens our understanding of the impact of religious reform on church architecture.
Anonymity in Eighteenth-Century Italian Publishing
This book focuses on the different forms in which authorship came to be expressed in eighteenth-century Italian publishing. It analyses both the affirmation of the “author function”, and, above all, its paradoxical opposite: the use of anonymity, a centuries-old practice present everywhere in Europe but often neglected by scholarship. The reasons why authors chose to publish their works anonymously were manifold, including prudence, fear of censorship, modesty, fear of personal criticism, or simple divertissement. In many cases, it was an ethical choice, especially for ecclesiastics. The Italian case provides a key perspective on the study of anonymity in the European context, contributing to the analysis of an overlooked topic in academic studies.
Storia di Savigliano
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Monteverdi
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Serenata and Festa Teatrale in 18th Century Europe
This volume is dedicated to "Serenata and Festa Teatrale in 18th Century Europe", especially to the production of this music-dramatic genre at the courts on the Iberian Peninsula, in Italy, and the Holy Roman Empire where it was an integral part of court ceremonials and a privileged ritual of repraesentatio maiestatis. The 16 studies on patrons and artists, exceptional events and local traditions, reveal highly interesting material for the research on these up to now largely neglected genre. Any approach to these works full of metaphors, symbols and allusions has to take into account the context of the celebration and the resulting multiplicity of aspects: choice of themes, dramaturgical forms, textual and musical structures, vocal and instrumental ensembles, and the various options regarding the stage apparatus. "Serenata and Festa Teatrale in 18th Century Europe", edited by Iskrena Yordanova (Lisbon) and Paologiovanni Maione (Naples), inaugurates the series "Cadernos de Queluz", a subseries of "Specula Spectacula" by Don Juan Archiv Wien.
