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The Cambridge Companion to Rossini
This 2004 Companion is a collection of specially commissioned essays on one of the most influential opera composers in the repertoire. The volume is divided into four parts, each exploring an important element of Rossini's life, his world, and his works: biography and reception; words and music; representative operas; and performance. Within these sections accessible chapters, written by a team of specialists, examine Rossini's life and career; the reception of his music in the nineteenth century and today; the librettos and their authors; the dramaturgy of the operas; and Rossini's non-operatic works. Additional chapters centre on key individual operas chosen for their historical importance or position in the present repertoire, and include Tancredi, Il barbiere di Siviglia, Semiramide, and Guillaume Tell. The last section, Performance, focuses on the history of Rossini's operas from the viewpoint of singing and staging, as well as the influence of editorial work on contemporary performance practice.
Sphere of Understanding
The book presents dialogues with fourteen highly influential semioticians: Juri Lotman, Vyacheslav Ivanov, Boris Uspenskij, Umberto Eco, Paolo Fabbri, Myrdene Anderson, Winfried Nöth, Gunther Kress, Roland Posner, Stuart Kauffman, Jesper Hoffmeyer, Terrence Deacon, Paul Cobley, and Jaan Valsiner. They have all made a remarkable impact on contemporary research in the Tartu centre of semiotics. As well as these remarkable dialogues, the first part of the volume features an illuminating sequence of chapters on topics including the importance of dialogues, the historical roots and context of semiotics in Tartu since the 19th century, plus the main principles formulated in Jakob von Uexküll’s and Juri Lotman’s works.
LabOratory
An illustrated examination of laboratory architecture and the work that it does to engage the public, recruit scientists, and attract funding. The laboratory building is as significant to the twenty-first century as the cathedral was to the thirteenth and fourteenth centuries. The contemporary science laboratory is built at the grand scales of cathedrals and constitutes as significant an architectural statement. The laboratory is a serious investment in architectural expression in an attempt to persuade us of the value of the science that goes on inside. In this lavishly illustrated book, Sandra Kaji-O'Grady and Chris L. Smith explore the architecture of modern life science laboratories, and...
D'une scène à l'autre, l'opéra italien en Europe: La musique à l'épreuve du théâtre
L'opéra italien n'a cessé de s'enrichir au contact de la littérature française. Les échanges entre ces deux genres se caractérisent par le double jeu de proximité et de distance qui existe entre eux. La recherche en dramaturgie musicale éclaire les questions auxquelles sont confrontés traducteurs, librettistes et compositeurs dans leur travail de réécriture pour la scène lyrique italienne.
Monteverdi
Paolo Fabbri's Monteverdi, first published in Italian, is the leading study of the greatest composer of late Renaissance and early Baroque Italy, rightly called the "father of modern music." A large number of contemporary documents, including some 130 of his own letters, offer rich insights into the composer and his times, also illuminating the many and varied contexts for music-making in the most important musical centers in Italy. This newly revised translation brings an indispensable text to a much broader readership.
Report of the Superintendent of Insurance
Vol. for 1880 includes Compilation of the insurance laws of the States of Kansas in force Apr. 15, 1881. 1885-86 includes insurance laws passed 1885-86.
Opera and Sovereignty
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates ...
Images of Europe
This book deals with the fundamental semantics of images of Europe, which consist of valences, mirror beliefs and affectivities. This is why it relaunches the importance of the European discourse in its symbolic dimension. As such, it explores the many images of Europe, or rather the many images through which European discourse is actually constituted in daily life, in search of their enunciative responsibility in today’s world for determining the current “State of the Union”. The identity of the European continent is based on a millenary tension between universalism and particularism: images of Europe have in fact been alternately inspired, over the centuries, by a model of homogeneit...
