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Portrait of the Alcoholic is the first chapbook of poems from Ruth Lilly-winner and founding editor of Divedapper, Kaveh Akbar.
A POETRY BOOK SOCIETY RECOMMENDATION I could not be held responsible for desire he could not be held at all Tracking the joys and pains of the path through addiction, and wrestling with desire, inheritance and faith, Calling a Wolf a Wolf is the darkly sumptuous debut from award-winning poet Kaveh Akbar. These are powerful, intimate poems of thirst: for alcohol, for other bodies, for knowledge and for life. 'The struggle from late youth on, with and without God, agony, narcotics and love, is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection' FANNY HOWE 'Compelling . . . strange . . . always beautiful' ROXANE GAY, AUTHOR OF BAD FEMINIST AND HUNGER 'Truly brilliant' JOHN GREEN, AUTHOR OF THE FAULT IN OUR STARS 'A breathtaking addition to the canon of addiction literature' PUBLISHERS WEEKLY (STARRED REVIEW)
'Kaveh Akbar is the sorcerer's sorcerer, masterful in the way he wields language . . . Profound and singular, smart and sad and funny, but most of all truth's beauty and beauty's truth sung . . . We need Pilgrim Bell. We need Kaveh Akbar' TOMMY ORANGE America, I warn you, if you invite me into your home I will linger, kissing my beloveds frankly, pulling up radishes and capping all your pens. There are no good kings, only burning palaces. Lose me today, so much. -from 'The Palace' With formal virtuosity and ruthless precision, Kaveh Akbar's second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belon...
NATIONAL BESTSELLER "A poignant and piercing examination of the phenomenon of tears—exhaustive, yes, but also open-ended. . . A deeply felt, and genuinely touching, book." —Esmé Weijun Wang, author of The Collected Schizophrenias "Spellbinding and propulsive—the map of a luminous mind in conversation with books, songs, friends, scientific theories, literary histories, her own jagged joy, and despair. Heather Christle is a visionary writer." —Leni Zumas, author of Red Clocks This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confro...
'A profoundly valuable collection, full of fresh perspective, and opening doors into all kinds of material that has been routinely neglected or patronized' Rowan Williams, TLS This rich and surprising anthology is a holistic, global survey of a lyric conversation about the divine, one which has been ongoing for millennia. Beginning with the earliest attributable author in all of human literature, the twenty-third century BCE Sumerian High Priestess Enheduanna, and taking in a constellation of voices - from King David to Lao Tzu, from the Epic of Gilgamesh to the Malian Epic of Sundiata - this selection presents a number of canonical figures like Blake, Dickinson and Tagore, alongside lesser-anthologized, diverse poets going up to the present day. Together they show the breathtaking multiplicity of ways humanity has responded to the spiritual, across place and time.
NEW YORK TIMES BESTSELLER • SHORTLISTED FOR THE NATIONAL BOOK AWARD • A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction. A NEW YORK TIMES NOTABLE BOOK • A TIME MUST-READ BOOK OF THE YEAR “Kaveh Akbar is one of my favorite writers. Ever.” —Tommy Orange, Pulitzer Prize–nominated author of There There “The best novel you'll ever read about the joy of language, addictio...
Wolf Hall meets The Favourite in this beguiling debut novel that brilliantly brings to life the residents of a small English town in the grip of the seventeenth-century witch trials and the young woman tasked with saving them all from themselves. "This is an intimate portrait of a clever if unworldly heroine who slides from amused observation of the 'moribund carnival atmosphere' in the household of a 'possessed' child to nervous uncertainty about the part in the proceedings played by her adored tutor to utter despair as a wagon carts her off to prison." —Alida Becker, The New York Times Book Review England, 1643. Puritanical fervor has gripped the nation. And in Manningtree, a town deplet...
The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.
"Poetic exploration in Middle English about the body, physical space, ownership of space, gender, and transitioning genders."--
In the language of fan fiction, a 'Mary Sue' is an idealised and implausibly flawless character: a female archetype that can infuriate audiences for its perceived narcissism.Such is the setting for this brilliant and important debut by Sophie Collins. In a series of verse and prose collages, Who Is Mary Sue? exposes the presumptive politics behind writing and readership: the idea that men invent while women reflect; that a man writes of the world outside while a woman will turn to the interior.Part poetry and part reportage, at once playful and sincere, these fictive-factive miniatures deploy original writing and extant quotation in a mode of pure invention. In so doing, they lift up and lay...