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This book offers a fresh perspective on the impact of the US intervention in Lebanon in 1982 and the decision-making drivers that led the Reagan Administration into the Lebanese Civil War. Based on newly released archival materials from high level Washington officials such as President Reagan, Secretary of State Shultz and Secretary of Defense Weinberger, it argues that the failure of the Reagan Administration to accurately understand the complex political landscape of the Lebanese Civil War resulted in the US-led Multinational Force becoming militarily intertwined in the conflict. This book challenges the notion that Reagan deployed US Marines under the ideals of international peacekeeping,...
Explore an insightful account of the reception of Mesopotamia in modern cinema In Reception of Mesopotamia on Film, Dr. Maria de Fátima Rosa explores how the Ancient Mesopotamian civilization was portrayed by the movie industry, especially in America and Italy, and how it was used to convey analogies between ancient and contemporary cultural and moral contexts. Spanning a period that stretches from the beginning of the 20th century to the present day, the book explores how the Assyrian and Babylonian elites, particularly kings, queens, and priestesses, were perceived and represented on screen by filmmakers. A focus on the role played by Ancient Near Eastern women and on the polytheistic rel...
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Race after Sartre is the first book to systematically interrogate Jean-Paul Sartre's antiracist politics and his largely unrecognized contributions to critical race theories, postcolonialism, and Africana existentialism. The contributors offer an overview of Sartre's positions on racism as they changed throughout the course of his life, providing a coherent account of the various ways in which he understood how racism could be articulated and opposed. They interrogate his numerous and influential works on the topic, and his insights are utilized to assess some of today's racial quandaries, including the November 2005 riots in France, Hurricane Katrina, immigration, affirmative action, and reparations for slavery and apartheid. The contributors also consider Sartre's impact upon the insurgent antiracist activists and writers who also walked the roads to freedom that Sartre helped pave.
In this major new reading of Sartre's life and work, Paige Arthur traces the relationship between the philosopher's decades-long commitment to decolonization and his intellectual positions. Where other commentators have focused on the tensions between Sartre's Marxism and his account of existential freedom, usually to denigrate one in favor of the other, Arthur shows how Sartre's political engagement with global liberation movements and his philosophical framework developed alongside one another. Closely following the postwar movements for decolonization, and then supporting the war of independence in Algeria, Sartre proposed an influential and uncompromising view of imperialism. Analyzing the Western attitude to the 'subhuman' colonial subject, he offered an account of the social constraints that applied to both ruler and ruled, and came to argue that political violence-on both sides-was a systematic consequence of the colonial order. Arthur's rich and nuanced book locates Sartre within the political discussions of his time, whilst also looking forward to contemporary debates about new forms of imperialism and resistance.
This book maps the interrelation between art, theatre, and opera in a time of dramatic historical change and political contestation in eighteenth- and nineteenth-century Paris. Contributions to the volume trace the creative connections and clashes fostered by the sharing of new types of subject matter throughout the period. Scholars from art history, theatre studies and musicology take as their subjects a variety of protagonists from theatre, opera, literature and history in order to make visible the intimately interwoven and entangled world of Parisian arts.