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Movie Censorship and American Culture
From the earliest days of public outrage over "indecent" nickelodeon shows, Americans have worried about the power of the movies. The eleven essays in this book examine nearly a century of struggle over cinematic representations of sex, crime, violence, religion, race, and ethnicity, revealing that the effort to regulate the screen has reflected deep social and cultural schisms. In addition to the editor, contributors include Daniel Czitrom, Marybeth Hamilton, Garth Jowett, Charles Lyons, Richard Maltby, Charles Musser, Alison M. Parker, Charlene Regester, Ruth Vasey, and Stephen Vaughn. Together they make it clear that censoring the movies is more than just a reflex against "indecency," however defined. Whether censorship protects the vulnerable or suppresses the creative, it is part of a broader culture war that breaks out recurrently as Americans try to come to terms with the market, the state, and the plural society in which they live.
Interpretations of American History Vol. I
Contrary to conventional wisdom, no area of study is outdated more quickly than history, and no time has been more turbulent for the discipline than our own. This classic point/counterpoint reader in American history, now in a completely revised and updated seventh edition, takes note of history's impermanence, giving voice to the new without disposing of the old. In ten lively chapters, essays by the editors introduce dialectical readings by distinguished historians on topics from Reconstruction to the present. The essays and readings address history's timeless questions: "Reconstruction: Change or Stasis?," "American Imperialism: Economic Expansion or Ideological Crusade?," and "The Civil Rights Movement: Top-Down or Bottom-Up?" New readings are included on African Americans, women, and immigrants. In the fray of debate, eminent historians from Samuel Hays and Alfred Chandler to John Lewis Gaddis, Walter LaFeber, and Kathryn Kish Sklar struggle to interpret the past. The editors'essays moderate.
Controlling Hollywood
Explaining the major forces at play behind the making of Hollywood films, this text assesses how changing values have influenced censorship in Hollywood. The text also analyses the major cultural, social, legal and religious changes and their effect on Hollywood.
Working-Class America
At the time of its original publication, Working-Class America represented the new labor history par excellence. A roster of noteworthy scholars in the field contribute original essays written during a pivotal time in the nation's history and within the discipline. Moving beyond historical-sociological analyses, the authors take readers inside the lives of the real men and women behind the statistics. The result is a classic collection focused on the human dimensions of the field, one valuable not only as a resource for historiography but as a snapshot of workers and their concerns in the 1980s.
Interpretations of American History
Without a doubt, the teaching of American history has changed since George Billias and Gerald Grob first issued Interpretations of American History, a comprehensive introduction to the major debates and schools of thought within the field of American history. For this ninth edition, Francis G. Couvares has thoroughly updated the text to include both developments in scholarly debate and changes in the format. He has consolidated two chapters on the revolutionary era into one, and he has also merged formerly separate chapters on profit and commerce in the trading of human beings and the complex and resilient culture that enslaved people sustained. Additionally, he has written a completely new ...
Working in Hollywood
A history of the Hollywood film industry as a modern system of labor, this book reveals an important untold story of an influential twentieth-century workplace. Ronny Regev argues that the Hollywood studio system institutionalized creative labor by systemizing and standardizing the work of actors, directors, writers, and cinematographers, meshing artistic sensibilities with the efficiency-minded rationale of industrial capitalism. The employees of the studios emerged as a new class: they were wage laborers with enormous salaries, artists subjected to budgets and supervision, stars bound by contracts. As such, these workers--people like Clark Gable, Katharine Hepburn, and Anita Loos--were the outliers in the American workforce, an extraordinary working class. Through extensive use of oral histories, personal correspondence, studio archives, and the papers of leading Hollywood luminaries as well as their less-known contemporaries, Regev demonstrates that, as part of their contribution to popular culture, Hollywood studios such as Paramount, Warner Bros., and MGM cultivated a new form of labor, one that made work seem like fantasy.
The Remaking of Pittsburgh
What forces transformed a community in which industrial workers and other citizens exercised a real measure of power over their lives into a metropolis whose inhabitants were utterly dependent on Big Steel? How did a city that fervidly embraced the labor struggle of 1877 turn into the city which so fiercely repudiated the labor struggle of 1919? The Remaking of Pittsburgh is the history of this transformation. The cultural dimensions of industrialization come to life as Couvares calls upon labor history, urban history, and the history of popular culture to depict the demise of the "craftsman's empire" and the birth of a cosmopolitan bourgeois society. The book explores the impact of immigration on the shaping of modern Pittsburgh and the emergence of mass culture within the community. In the midst of these processes of transformation, the giant steel corporations were continually reshaping the life of the city.
Caught in Irons
Santos (history, Lynchburg College) uses the international fishermen's races that captured popular imagination in the US and Canada during the 1920s and 1930s as a means for discussing the changing economic and social realities that redefined the North Atlantic fisheries and the society as a whole i
Votes for College Women
Explores the College Equal Suffrage League’s work to advance the campaign for the Nineteenth Amendment The woman suffrage movement is often portrayed as having been led and organized by middle-aged women and mothers in stuffy, formal settings. This dominant account grossly neglects a significant demographic within the movement—college women. Between 1870 and 1910, the proportion of college women in the United States rose from 21 to 40 percent. By 1880, there were 155 private colleges in the Northeast and the South for female students and numerous coeducational institutions in the West. The widespread extension of academic training for women helped spur a well-organized campaign for femal...
