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Esta obra reúne 18 trabajos de interpretación iconográfica de artes y artesanías que permitirán avanzar en el conocimiento del México antiguo. Arqueólogos historiadores, etnohistoriadores y otros epecialistas en ciencias sociales nos dan sus análisis presentados en el primer congreso del Seminario Permanente de Iconografía.
This book is the result of the collective effort of the people of a small, rural town absorbed by urban development at the southern tip of Mexico City. It is made up of memories about the lives they shared with their parents while young and with the same neighbors that now gather to recall the games, the food, the streets and the activities that used to be part of their daily lives. It presents a way to build a future that rescues the nature of the community based on the sense of identity that still binds them together as members of the town, in spite of the segregating trends in city dynamics.
RES 59/60 includes “The making of architectural types” by Joseph Rykwert; “Traces of the sun and Inka kinetics” by Tom Cummins and Bruce Mannheim; “Inka water management and display fountains” by Carolyn Dean; “Guaman Poma’s pictures of huacas” by Lisa Trever; “Peruvian nature up close” by Daniela Bleichmar; and other papers.
Christian churches erected in Mexico during the early colonial era represented the triumph of European conquest and religious domination. Or did they? Building on recent research that questions the “cultural” conquest of Mesoamerica, Eleanor Wake shows that colonial Mexican churches also reflected the beliefs of the indigenous communities that built them. European authorities failed to recognize that the meaning of the edifices they so admired was being challenged: pre-Columbian iconography integrated into Christian imagery, altars oriented toward indigenous sacred landmarks, and carefully recycled masonry. In Framing the Sacred, Wake examines how the art and architecture of Mexico’s r...
Usted encontrará en este libro los lugares y temas más emblemáticos en la trayectoria de más de 50 años del profesor Ángel García Cook, pues se resaltan las aportaciones de un amplio espectro que logró como investigador, funcionario y maestro de grupo en los que dejó su huella.
El Tajín, an ancient Mesoamerican capital in Veracruz, Mexico, has long been admired for its stunning pyramids and ballcourts decorated with extensive sculptural programs. Yet the city's singularity as the only center in the region with such a wealth of sculpture and fine architecture has hindered attempts to place it more firmly in the context of Mesoamerican history. In Lightning Gods and Feathered Serpents, Rex Koontz undertakes the first extensive treatment of El Tajín's iconography in over thirty years, allowing us to view its imagery in the broader Mesoamerican context of rising capitals and new elites during a period of fundamental historical transformations. Koontz focuses on three...
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La trascendencia de la flora y la fauna en la vida del hombre inspiró esta compilación de relatos, en la que destacados autores profundizan en el quehacer iconográfico y realizan un análisis de plantas y animales de diversas partes del mundo.
Studies of rituals in sacred gardens and landscapes offer tantalizing insights into the significance of gardens and landscapes in the societies of India, ancient Greece, Pre-Columbian Mexico, medieval Japan, post-Renaissance Europe, and America. Sacred gardens and landscapes engaged their visitors into three specific modes of agency: as anterooms spurring encounters with the netherworld; as journeys through mystical lands; and as a means of establishing a sense of locality, metaphorically rooting the dweller's own identity in a well-defined part of the material world. Each section of this book is devoted to one of these forms of agency. Together the essays reveal a profound cultural significance of gardens previously overlooked by studies of garden styles.
The Art of Urbanism explores how the royal courts of powerful Mesoamerican centers represented their kingdoms in architectural, iconographic, and cosmological terms. Through an investigation of the ecological contexts and environmental opportunities of urban centers, the contributors consider how ancient Mesoamerican cities defined themselves and reflected upon their physicalâe"and metaphysicalâe"place via their built environment. Themes in the volume include the ways in which a kingdomâe(tm)s public monuments were fashioned to reflect geographic space, patron gods, and mythology, and how the Olmec, Maya, Mexica, Zapotecs, and others sought to center their world through architectural monu...