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The essays that comprise this study of 20th-century fascism shift the focus away from the German and Italian models and towards the influence of fascist ideology within other countries.
This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the fascist era through neorealism to modernist filmmaking after May 1968, Angela Dalle Vacche reveals opera and the commedia dell'arte to be the strongest influences. As she presents the whole history of Italian cinema from the standpoint of a dialectic between these two styles, s...
The third wave of terrorism in Europe has been the subject of numerous studies after David Rapoport's theoretical classification, especially as it relates to New Left/Marxist/Socialist activity. But one of its components has not hitherto been subject to scholarly investigation: the Italian neo-fascist terrorism that committed indiscriminate massacres as part of an alleged strategy of stoking political tension. There is evidence that members of the intelligence services and security forces contributed to cover-ups and indeed the neo-fascist murders that took place may have been aimed at creating an atmosphere favourable to a coup d'etat. While conspiracy theories abound there is little in-dep...
The crime genre entered Italy in the late nineteenth century, and if initially Italian authors followed models developed abroad—principally in the United States, England and France—a uniquely Italian brand began to emerge soon. Il giallo, as the crime genre has been known in Italy since the 1930s, proved to be the ideal instrument to confront pressing and often uncomfortable issues which were pertinent to the Italian context: it became a useful tool to restore, symbolically at least, the truth and justice that were, and still are, perceived by a large part of the Italian reading public to be systematically denied in reality. In today’s Italy, the crime genre, and particularly its noir ...
"Radical Politics argues for the renewal of a politics of self-emancipation. The last 20 years has witnessed a proliferation of radical social and political movements around the world, in wave after wave of struggles against intersecting forms of exploitation, domination and subalternization. From the Alternative Globalization Movement, anti-war protests, and Occupy, to the International Women's Strike, BlackLivesMatter, and direct action against the climate emergency, a series of common questions have continually re-emerged as practical challenges. How should radical political movements relate to the state? What makes emancipatory politics fundamentally different from both technocratic and ...
In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political c...
Cinzia Padovani takes an in-depth look at Italian public service broadcasting, covering its history, its role in Italian society, its relationship to the political party system, and its influence on cultural and linguistic unification in Italy.
This edited collection offers a reassessment of the complicated legacy of Emer de Vattel’s Droit des gens, first published in 1758. One of the most influential books in the history of international law and a major reference point in the fields of international relations theory and political thought, this book played a role in the transformation of diplomatic practice in the eighteenth and nineteenth century. But how did Vattel’s legacy take shape? The volume argues that the enduring relevance of Vattel’s Droit des gens cannot be explained in terms of doctrines and academic disciplines that formed in the late nineteenth and twentieth centuries. Instead, the chapters show how the complex...