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International Fascism, 1919-45
The essays that comprise this study of 20th-century fascism shift the focus away from the German and Italian models and towards the influence of fascist ideology within other countries.
Uncertain Justice
The crime genre entered Italy in the late nineteenth century, and if initially Italian authors followed models developed abroad—principally in the United States, England and France—a uniquely Italian brand began to emerge soon. Il giallo, as the crime genre has been known in Italy since the 1930s, proved to be the ideal instrument to confront pressing and often uncomfortable issues which were pertinent to the Italian context: it became a useful tool to restore, symbolically at least, the truth and justice that were, and still are, perceived by a large part of the Italian reading public to be systematically denied in reality. In today’s Italy, the crime genre, and particularly its noir ...
Radical Politics
"Radical Politics argues for the renewal of a politics of self-emancipation. The last 20 years has witnessed a proliferation of radical social and political movements around the world, in wave after wave of struggles against intersecting forms of exploitation, domination and subalternization. From the Alternative Globalization Movement, anti-war protests, and Occupy, to the International Women's Strike, BlackLivesMatter, and direct action against the climate emergency, a series of common questions have continually re-emerged as practical challenges. How should radical political movements relate to the state? What makes emancipatory politics fundamentally different from both technocratic and ...
The Strategy of Tension in Italy
The third wave of terrorism in Europe has been the subject of numerous studies after David Rapoport's theoretical classification, especially as it relates to New Left/Marxist/Socialist activity. But one of its components has not hitherto been subject to scholarly investigation: the Italian neo-fascist terrorism that committed indiscriminate massacres as part of an alleged strategy of stoking political tension. There is evidence that members of the intelligence services and security forces contributed to cover-ups and indeed the neo-fascist murders that took place may have been aimed at creating an atmosphere favourable to a coup d'etat. While conspiracy theories abound there is little in-dep...
The Body in the Mirror
This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the fascist era through neorealism to modernist filmmaking after May 1968, Angela Dalle Vacche reveals opera and the commedia dell'arte to be the strongest influences. As she presents the whole history of Italian cinema from the standpoint of a dialectic between these two styles, s...
The Transnational Making of Italian Neofascism
This book delves into the evolution of Italian neo-fascism from the end of World War II to the mid-1970s. It examines the transition from historical fascism to neo-fascism, highlighting the survival and adaptation of fascist ideologies within democratic frameworks. This book explores the formation and development of the Italian Social Movement (MSI) and the broader neo-fascist network, emphasising its transnational connections and ideological persistence. Key themes include the escape and reorganisation of former fascists, their influence on post-war Italian politics, and the cultural and ideological debates within the neo-fascist movement. The work also addresses the role of race, anti-communism, and the strategic alliances formed during the Cold War. By tracing the historical and ideological continuities, this book provides a comprehensive understanding of neo-fascism's enduring impact on Italian and global political landscapes. It will be of interest to students and scholars of fascism, political history, and Italian politics.
Marxism and Historiography
Eminent Italian historian Giovanni Levi once notably remarked that “no one is a Marxist anymore,” pointing to a paradox in Italian cultural history. While what is called "Marxism" was supposedly hegemonic over Italian culture, and especially history writing, for decades in the postwar period, it then seems to have suddenly disappeared. This study questions such a vision of a monolithic and hegemonic Marxism. It starts from the most effective anecdote to all ideologising narratives—that is, research into the texts themselves. It sees the Marxist historiography of the post-1945 period as a "history in the making," in which references to Marxian theory were a fundamental factor driving historiographical innovation. This allows the book to bring to light a highly original experience in the development of historiography, based on the long Italian tradition of reflection on historical knowledge.
The Sociology of Political Praxis (RLE: Gramsci)
This volume analyses the philosophical nature of Gramsci’s Marxism and its Hegelian source, the radical critique of the economistic tradition and the original analyses of the role of superstructures, ideology, consciousness and subjectivity in the revolutionary process. It relates the central themes of Gramsci’s writings, such as hegemony, ‘historical blocs’, the role of intellectuals and political praxis, to the more peripheral ones, such as science, language, literature and art. The introduction includes a brief intellectual biography of Gramsci.
