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As the fifth full year of America's global war on terrorism continues, statistics concerning terrorist attacks show a disturbing trend: from a twenty-one-year high in 2003, attacks tripled in 2004 and then doubled in 2005. And as the incidence of terrorist attacks increased, so has the number of terrorists. While the primary leaders of the Taliban, al Qaeda, and al Qaeda in Iraq remain at large, a 2006 Department of Defense study reportedly identified thirty new al Qaeda-affiliated terrorist groups that have been created since September 11, 2001. We may not have metrics that measure our success in the war on terrorism, but these realities certainly illuminate our failures. In Thinking Like a...
Publisher description
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
"The author examines actor Clint Eastwood's influence on the Western film as a genre, as well as how that genre continues to operate into the twenty-first century as an ideological channel for ideas about race and imperialism"--
Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990. This historical period spans the Algerian war of independence and the early wave of post-colonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late ‘80s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in viol...
Carlo Testa demonstrates that while pairings of famed directors and writers are commonplace in modern Italian cinema, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship.
A systematic account of the right to resist oppression and of the forms of armed force it can justify.
Since the silent days of cinema, Westerns have been one of the most popular genres, not just in the United States but around the world. International filmmakers have been so taken by westerns that many directors have produced versions of their own, despite lacking access to the American West. Nowhere has the Western been more embraced outside of the United States than Italy. In the 1960s, as Hollywood heroes like John Wayne and Randolph Scott were aging, Italian filmmakers were revitalizing the western, securing younger American actors for their productions and also making stars of homegrown talent. Movies directed and produced by Italians have been branded “spaghetti westerns”—a genre...