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The Recorder
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Opus
Issued also in French under title: Opus, la facture instrumentale au Canada.
Seven trio sonatas
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A History of Performing Pitch
Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR
The Hero and the Historians
This unique exploration of commemoration and memory traces Jacque Cartier’s evolving image over five centuries to show how changing notions of the past have shaped identity formation and nationalism in English- and French-speaking Canada.
FOMRHI Quarterly
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The American Archivist
Includes sections "Reviews of books" and "Abstracts of archive publications (Western and Eastern Europe)."
Le Jacquard
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Church of Notre Dame in Montreal
In the extensive new preface, Toker examines the approach he took in writing The Church of Notre-Dame in Montreal and reflects on the implications of what has been discovered since the book was first published in 1970.
