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French Vernacular Books / Livres vernaculaires français (FB) (2 vols.)
This work offers for the first time a complete list of all books published wholly or partially in the French language before 1601. Based on twelve years of investigations in libraries in France, the United Kingdom, the United States, Germany, the Netherlands and elsewhere, it provides an analytical short-title catalogue of over 52,000 bibliographically distinct items, with reference to surviving copies in over 1,600 libraries worldwide. Many of the items described are editions and even complete texts fully unknown and re-discovered by the project. French Vernacular Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of France, as well as historians of the early modern book world. For vols. III & IV please go to French Books III & IV.
Danish Humour
What makes hygge-happy Danes, their humour, society and language so 'special'? Explore useful insights and toe-curling incidents with professor emeritus Lita Lundquist, language and humour researcher at Copenhagen Business School, and British-born, Danish-based Helen Dyrbye, freelance proofreader/translator and principal author of The Xenophobe's Guide to the Danes - while learning to navigate humour better in international waters. "Enjoyable and amusing reading. Backed by meaningful qualitative research, it reaches a broad audience. Anyone dealing with people from other nationalities in formal and working settings may benefit from the reflections expressed in this book." The European Journal of Humour Research.
King's Sister - Queen of Dissent
This study reconstructs for the first time Marguerite of Navarre s leadership of a broad circle of nobles, prelates, humanist authors, and commoners, who sought to advance the reform of the French church along evangelical (Protestant) lines. Hitherto misunderstood in scholarship, they are revealed to have pursued, despite persecution, a consistent reform program from the Meaux experiment to the end of Francis I s reign through a variety of means: fostering local church reform, publishing a large corpus of religious literature, high-profile public preaching, and attempting to shape the direction of royal policy. Their distinctive doctrines, relations with major reformers including their erstwhile colleague Calvin involvement in major Reformation events, and the impact of their unsuccessful attempt are all explored.
Death and Tenses
This book is probably the first to explore a question that can crop up in everyday situations and that has a long history: in what tense should we refer to the dead? That question relates both to the recently deceased and also to those who died long ago, for example in antiquity. The book explores it through many kinds of texts, mainly in French but also in Latin, produced in sixteenth- and early seventeenth-century France, including by celebrated authors(Rabelais, Montaigne). Did tenses refer to the dead in ways that contributed to granting them differing degrees of presence (and absence)? Did tenses communicate something about posthumous presence (andabsence) that could not easily be communicated by other means? This is primarily a work of literary and cultural history, but it also draws on linguistics. It compares its early modern examples with modern French and English, asking whether changes in more recent beliefs in posthumous survival have led to different tense usage.
Jews in France During World War II
Now in English, the authoritative work on ordinary Jews in France during World War II.
Virgilian Identities in the French Renaissance
"Virgil's works, principally the Bucolics, the Georgics, and above all the Aeneid, were frequently read, translated and rewritten by authors of the French Renaissance. The contributors to this volume show how readers and writers entered into a dialogue with the texts, using them to grapple with such difficult questions as authorial, political and communitarian identities. It is demonstrated how Virgil's works are more than Ancient models to be imitated. They reveal themselves, instead, to be part of a vibrant moment of exchange central to the definition of literature at the time."--Back cover.
