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Post-secularism is the fundamental evidence of the end of modernity. Modernity, as sleeping reason in Francisco Goya's painting, realizes that, although it thought that it was awake, it was producing monsters. We try to analyze post-secular philosophy from the point of view of Russian religious thought. We believe that such philosophers as Vladimir Soloviev, Pavel Florensky, Sergey Bulgakov, Nikolai Berdyaev, Georges Florovsky, and Semen Frank may be helpful for understanding and overcoming post-secular order. Their unique views on the relations between religion and philosophy, science, and social life are apparently missing in the current Western debates. It seems to us that Russian religious philosophy becomes surprisingly up-to-date and attractive in the contemporary world. We hope that the present volume will be a significant step forward in the inclusion of the heritage of Russian religious philosophy in contemporary debates.
Christians frequently come into conflict with themselves and others over such matters as music, popular culture, and worship style. Yet they usually lack any theology of art or taste adequate to deal with aesthetic disputes. In this provocative book, Frank Burch Brown offers a constructive, "ecumenical" approach to artistic taste and aesthetic judgment--a non-elitist but discriminating theological aesthetics that has "teeth but no fangs." While grounded in history and theory, this book takes up such practical questions as: How can one religious community accommodate a variety of artistic tastes? What good or harm can be done by importing music that is worldly in origin into a house of worship? How can the exercise of taste in the making of art be a viable (and sometimes advanced) spiritual discipline? In exploring the complex relation between taste, religious imagination, and faith, Brown offers a new perspective on what it means to be spiritual, religious, and indeed Christian.
In the early 1900s, America was swept up in the postcard craze. All over the country, people seized on these charming snapshots of life as a means of keeping in touch with friends and family, as well as seeing strange and exciting parts of the world.
Missions to, from and within the Middle East have shaped the region in multitudinous ways since the 19th century. This collection of essays from a range of international scholars explores this immensely significant subject using a range of disciplines, including theology, history, and geography. This interdisciplinary approach helps to provide a thorough overview of the often complex and multi-layered topic of missions and the Middle East in contemporary research, and will be of interest to all who seek to improve their understanding of the role of religion in the Middle East.
Do you want to know when Duke Ellington was king of The Cotton Club? Have you ever wondered how old Miles Davis was when he got his first trumpet? From birth dates to gig dates and from recordings to television specials, Leonard Feather and Ira Gitler have left no stone unturned in their quest for accurate, detailed information on the careers of 3.300 jazz musicians from around the world. We learn that Duke Ellington worked his magic at The Cotton Club from 1927 to 1931, and that on Miles Davis's thirteenth birthday, his father gave him his first trumpet. Jazz is fast moving, and this edition clearly and concisely maps out an often dizzying web of professional associations. We find, for inst...
Sara Luck is known for her “well-developed characters, accurate historical settings, and hot naked men” (RT Book Reviews), and Under the Desert Sky does not disappoint! Fans will love this story of a widowed frontierswoman and the ranch hand who might be all that stands between her and ruin. Phoebe Sloan isn’t afraid of hard work—she couldn’t have survived on the Arizona frontier if she were. But ever since her husband was killed in a ranch accident, she’s struggled to make ends meet and preserve her young son’s birthright. Her last gamble was to start raising ostriches—the plumes are prized by fashionable city ladies—and it could work, but someone’s determined to sabotage her efforts. Enter Christian de Wet, a South African importer who finds himself drawn to the fragile but determined Phoebe. He begins helping her around the ranch as a kindness, but the two quickly find that the heat rising between them has nothing to do with the Arizona desert! When the saboteur finds a way to endanger not just the ranch, but Phoebe’s family, will she have to forsake her happiness to save her son?