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The life and work of Shakespeare is put into context in this fascinating volume, based on the assertion that in order to understand this great writer, we must appreciate the epoch in which he existed. Each year of his half-century lifetime is meticulously charted, noting the forces that helped to determine his development and his work.
Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historica...
Many have speculated on the role played by Freemasons in launching the French and American Revolutions, and in today's Bohemian Grove and other secretive forums where world events seem to be shaped.This book presents the history of Freemasonry in a philosophically rigorous and eloquent way and proposes a new philosophically significant and historically meaningful Freemasonic path. Along the way, the author casts light on important, little understood aspects of world history, presenting an enlightening narrative of world events.Dr. Nicolas Laos is the Founder and President of the autonomous, international Freemasonic and scholarly fraternity United Traditionalist Grand Sanctuaries of the Ancient and Primitive Rite Memphis-Misraim. He names many of the prominent men who have been members over the centuries, and provides a history of Freemasonry, and discusses how the movement spread, how it relates to religion, international affairs and world history, and the symbolism used.
This edition first published in 1982. Previous edition published in 1972 by Houghton Mifflin. Outlining methods and techniques for reading Shakespeare's plays, Roland Frye explores and develops a comprehensive understanding of Shakespeare's drama, focussing on the topics which must be kept in mind: the formative influence of the particular genre chosen for telling a story, the way in which the story is narrated and dramatized, the styles used to convey action, character and mood, and the manner in which Shakespeare has constructed his living characterizations. As well as covering textual analysis, the book looks at Shakespeare's life and career, his theatres and the actors for whom he wrote and the process of printing and preserving Shakespeare's plays. Chapters cover: King Lear in the Renaissance; Providence; Kind; Fortune; Anarchy and Order; Reason and Will; Show and Substance; Redemption and Shakespeare's Poetics.