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Unterwelt
Ein faszinierendes Panorama der zweiten Hälfte des 20. Jahrhunderts, meisterhaft erzählt von Don DeLillo. Nick Shay, Manager einer Müllentsorgungsfirma, trägt eine Schuld aus seiner Jugend mit sich. In Arizona lebt er mit seiner Familie, während die Konzeptkünstlerin Klara Sax in der Wüste ausrangierte B-52-Bomber bemalt und so ein gigantisches Kunstobjekt erschafft. Einst hatten Nick und Klara in der Bronx eine kurze, leidenschaftliche Affäre. Ihre Lebensläufe und Erinnerungen verweben sich mit einer Vielzahl unvergesslicher Figuren, realen und fiktiven Ereignissen aus Politik, Sport und Kunst sowie einem Baseball, der 1951 bei einem berühmten Spiel geschlagen wurde, als zeitgleich die Sowjetunion ihre erste Atombombe zündete. In einer lebendigen, originellen Sprache zeichnet »Unterwelt« ein facettenreiches Bild Amerikas und des Zeitgeschehens zum Ende des 20. Jahrhunderts. Ein unvergleichlicher Roman über Gesellschaft, Werbung und den Kalten Krieg.
Queering the Canon
This collection of essays exposes points of queerness, marginality, and alterity present in the German canon and introduces further deviation from traditional German literature and culture in the form of openly lesbian and gay works. It provides new queer analyses of texts by canonical authors such as Goethe, Schiller. Thomas and Klaus Mann, Ingeborg Bachmann, Christa Reinig, and Elfriede Jelinek, yet discusses works that have seldom received scholarly attention. It also breaks the traditional limitation of Germanistik to the study of literature by including essays on aspects of German culture such as music, film, fine art and art history, and politics and law.
Brecht & Co
German-speaking playwrights have exercised a considerable if subtle influence on Australian theatre history. Presenting a range of paradigmatic case studies, this book offers a detailed account of Australian productions of German-language drama between 1945 and 1996. The reception of Bertolt Brecht is used as a touchstone for analysing stagings of plays by writers such as Max Frisch, Rolf Hochhuth, Peter Handke and Franz Xaver Kroetz. In addition, more recent developments in the reception of German drama on the Australian stage are discussed.
Psychophysical Acting
Psychophysical Acting is a direct and vital address to the demands of contemporary theatre on today’s actor. Drawing on over thirty years of intercultural experience, Phillip Zarrilli aims to equip actors with practical and conceptual tools with which to approach their work. Areas of focus include: an historical overview of a psychophysical approach to acting from Stanislavski to the present acting as an ‘energetics’ of performance, applied to a wide range of playwrights: Samuel Beckett, Martin Crimp, Sarah Kane, Kaite O’Reilly and Ota Shogo a system of training though yoga and Asian martial arts that heightens sensory awareness, dynamic energy, and in which body and mind become one practical application of training principles to improvisation exercises. Psychophysical Acting is accompanied by Peter Hulton’s downloadable resources featuring exercises, production documentation, interviews, and reflection.
Nazi Europe and the Final Solution
In recent years scholars and researchers have turned their attention to the attitudes of ordinary men [and women]A during the period of the persecution of the Jews in occupied Europe. This comprehensive work addresses the disturbing question of how people reacted when their neighbours were ostracized, humiliated, deported and later murdered.
Jews in Nazi Berlin
Though many of the details of Jewish life under Hitler are familiar, historical accounts rarely afford us a real sense of what it was like for Jews and their families to live in the shadow of Nazi Germany’s oppressive racial laws and growing violence. With Jews in Nazi Berlin, those individual lives—and the constant struggle they required—come fully into focus, and the result is an unprecedented and deeply moving portrait of a people. Drawing on a remarkably rich archive that includes photographs, objects, official documents, and personal papers, the editors of Jews in Nazi Berlin have assembled a multifaceted picture of Jewish daily life in the Nazi capital during the height of the re...
The Translator
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Dream Boy
Charting one boy’s search for companionship amidst violence and isolation in the mid-century rural South, with a new foreword from National Book Award-winner Justin Torres. Nathan’s used to being alone. Drifting from town to town following his salesman father, he seeks solace in his studies when he can’t find understanding in his own home; his father is abusive and an alcoholic and his mother would rather disappear into the background than protect him. Enter Roy. The older boy next door might have a girlfriend at school and at church, but there’s no question that they’re drawn to one another, and the two quickly become entangled in a covert relationship. As their relationship inten...
Towards a Poetics of the Mental Health Play
This study traces key developments in theatre’s engagement with mental health since the 1970s. It introduces and applies the concept of the ‘mental health play’ as accurate and timely in addressing the way mental distress and mental illness have been brought to the stage. The study argues that the theatre is a central calibrator for reflecting developments and tensions in, as well as attitudes towards, mental health care, and thus opens up a domain that still has stereotypes and myths attached to it. Theatre’s representations of mental distress inform and shape cultural production and vice versa. Mental health plays are central in encouraging and fostering conversations about mental health, and they thus intervene in ongoing debates. Due to its interdisciplinary approach, this study contributes to and extends existing research in multiple fields, including theatre and science, performance studies, and the medical humanities.
