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In this book, Porto analyzes the role of TV Globo in the democratization of Brazil. TV Globo, one of the world's largest media conglomerates, has a dominant position in Brazil's communications landscape. It also exports telenovelas to more than 130 countries and has established joint ventures with transnational media conglomerates. Beginning in the mid-1990s, TV Globo began a process of "opening," replacing its authoritarian model of journalism with a more independent reporting style. Representations of Brazil in prime time telenovelas have also shifted. Given this shift, Porto considers some of the following questions: •What explains these changes in Brazil's most powerful media company? •How are they related to processes of political and social democratization? •How did TV Globo's opening affect Brazil's emerging democracy, especially in terms of the quality of political accountability mechanisms? Porto uses the Brazilian case of TV Globo to analyze the larger links between democratization, civil society mobilization, and media change in transitional societies.
In the 1980s, Brazil emerged from two decades of military dictatorship and embarked on an experiment in full democracy for the first time in the nation's history Since then, Brazilians have sought to live up to the ideals of this experiment while negotiating dramatic economic and cultural transformations. In The Throes of Democracy Bryan McCann gives a panoramic view of this process, exploring the relationships between the rise of the political left, the escalation of urban violence, the agribusiness boom and the spread of pentecostal evangelization. Brazil remains a land marked by deep inequality, but in the last two decades the structure of that inequality has changed substantially. This is a country which remains an endlessly vital source of popular culture, now bubbling forth from different corners of the map. In explaining these transformations, this book provides a fascinating introduction to one of the 21st century's most significant countries.
Speaking of Flowers is an innovative study of student activism during Brazil's military dictatorship (1964–85) and an examination of the very notion of student activism, which changed dramatically in response to the student protests of 1968. Looking into what made students engage in national political affairs as students, rather than through other means, Victoria Langland traces a gradual, uneven shift in how they constructed, defended, and redefined their right to political participation, from emphasizing class, race, and gender privileges to organizing around other institutional and symbolic forms of political authority. Embodying Cold War political and gendered tensions, Brazil's increa...