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Language, the Singer and the Song
The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.
Critique of Authenticity
The volume provides a critical assessment of the concept of authenticity and gauges its role, significance and shortcomings in a variety of disciplinary contexts. Many of the contributions communicate with each other and thus acknowledge the enormous significance of this politically, morally, philosophically and economically-charged concept that at the same time harbors dangerous implications and has been critically deconstructed. The volume shows that the alleged need or desire for authenticity is alive and kicking but oftentimes comes at a high price, connected to a culture of experts, authority and exclusionary strategies.
Standards and Norms in the English Language
The theme of this collection is a discussion of the notions of 'norms' and 'standards', which are studied from various different angles, but always in relation to the English language. These terms are to be understood in a very wide sense, allowing discussions of topics such as the norms we orient to in social interaction, the benchmark employed in teaching, or the development of English dialects and varieties over time and space and their relation to the standard language. The collection is organized into three parts, each of which covers an important research field for the study of norms and standards. Part 1 is entitled "English over time and space" and is further divided into three thema...
English in the German-speaking World
A collection of studies on the role of English in German-speaking countries, covering a broad range of topics.
Language Myths and the History of English
Language Myths and the History of English deconstructs common myths about the historical development of English and looks at the ideological reasons for their existence.
Caribbean Men in the Arts
This collection showcases how different forms of manhood perform in artistic spaces. The selections take an in-depth review and exploration of the emotional and artistic landscape of Caribbean men who dare to carve out a place for themselves in the visual and performance mediums. The pieces demonstrate that Caribbean men are forging more varied and wholesome ways to describe their masculinities, where they are allowed to thrive and engage in the same spaces without violence and exclusionary attitude, just as they can do in the arts. The manuscript also sets up a nucleus that will allow a progression of essential advances in the scholarly scrutiny of Black men and Black masculinities. This book will interest individuals in the arts, gender studies incorporating masculinities and femininities and black studies, and also prove to be useful for students in high schools and colleges/universities.
Representations of War, Migration, and Refugeehood
War, migration, and refugeehood are inextricably linked and the complex nature of all three phenomena offers profound opportunities for representation and misrepresentation. This volume brings together international contributors and practitioners from a wide range of fields, practices, and backgrounds to explore and problematize textual and visual inscriptions of war and migration in the arts, the media, and in academic, public, and political discourses. The essays in this collection address the academic and political interest in representations of the migrant and the refugee, and examine the constructed nature of categories and concepts such as ‘war,’ ‘refuge(e),’ ‘victim,’ ‘border,’ ‘home,’ ‘non-place,’ and ‘dis/location.’ Contributing authors engage with some of the most pressing questions surrounding war, migration, and refugeehood as well as with the ways in which war and its multifarious effects and repercussions in society are being framed, propagated, glorified, or contested. This volume initiates an interdisciplinary debate which re-evaluates the relationship between war, migration, and refugeehood and their representations.
Das Schweizer Buch
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Homer's Living Language
An accessible, up-to-date, and innovative account of key features of Homer's poetry (formularity, meter, and dialect). This book is informed by contemporary linguistics and cognitive sciences, and leverages unexpected modern-day parallels (popular music, jazz improvisation, sports commentary) to illustrate Homer's creativity.
