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Contemporary scholarship on Bonaventure has characterized him as the Neo-platonic foil to the Aristotelianism of his day. The present book, however, shows a Bonaventure who is highly enthusiastic about utilizing the philosophy of Aristotle and who centers much of his philosophical project around interpreting and understanding the texts of Aristotle. Two goals are central to this book. The first is to shed light on Bonaventure’s greatly understudied ontology and theory of forms, demonstrating how his philosophical system is an important and unique alternative to other medieval Aristotelian systems. The second is to establish, more broadly, how Bonaventure’s interpretation of Aristotle is a resource which should be mined for contemporary efforts in thinking about and reading Aristotle himself.
"This series covers all aspects of medieval philosophy, including the Latin, Arabic and Hebrew traditions, and runs from the end of antiquity into the Renaissance. It publishes new work by leading scholars in the field, and combines historical scholarship with philosophical acuteness. The papers will address a wide range of topics, from political philosophy to ethics, and logic to metaphysics."--Publisher.
Sports events represent, for many, landmarks for memories, contexts that securely fix moments in past time. And in America, perhaps more than in any other country, they are part of what connects the individual to the multitude. When we add them to our remembrances, they subtly suggest that, like sporting contests, our personal tales are fit for public consumption. How easy and natural it is to add a little referential sidebar to the stories we tell: "I started work in January, I remember because the Bills had just lost the Super Bowl--the fourth one." On a broader scale, sports have left their imprint on the stony history of the nation. Beginning slowly with a game of bowls (1611), something...
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres durin...
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Contains more than 20,000 brief biographical entries on women, including thousands of entries on non-U.S. figures.