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The Southern State of Mind
Remarkably removed from the devotional, certifying, and celebratory view of the South that has dominated books of this genre, The Southern State of Mind addresses the question of whether inherited Southern values, problems, and contradictions have survived the onslaught of modernization."--BOOK JACKET.
William Faulkner
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New Essays on Light in August
Light in August (1932) is one of William Faulkner's most important, most challenging, and most widely studied novels, demanding to be approached from many angles and with a variety of critical and scholarly skills. Here five distinguished critics offer just such a range of approaches, discussing the novel in terms of its composition and its place in Faulkner's oeuvre; its structure and narrative techniques; its relation to the religious, racial, and sexual assumptions of the society it depicts; its presentation of women and handling of gender-related issues; and the social and moral implications of the 'hero' status accorded to a figure like Joe Christmas. Each contributor has had a double ambition: to write clearly and directly, thus making the volume accessible to the widest possible audience, and to write freshly and originally, so as to enhance - even for those thoroughly familiar with the existing criticism - understanding and appreciation of Light in August itself and of Faulkner's work as a whole.
Sixteen Modern American Authors
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
Faulkner and the Ecology of the South
In 1952, Faulkner noted the exceptional nature of the South when he characterized it as “the only really authentic region in the United States, because a deep indestructible bond still exists between man and his environment.” The essays collected in Faulkner and the Ecology of the South explore Faulkner's environmental imagination, seeking what Ann Fisher-Wirth calls the : “ecological counter-melody” of his texts. “Ecology” was not a term in common use outside the sciences in Faulkner's time. However, the word “environment” seems to have held deep meaning for Faulkner. Often he repeated his abiding interest in “man in conflict with himself, with his fellow man, or with his ...
Writing about Time
Many of the finest critics working in American literature explore the representation of time from colonial times to the present.
Obscurity's Myriad Components
On that paradoxical premise, Faulkner's theory addresses the writer's dilemma of having only the inadequate word to surmount itself; and the practice in fiction seeks to vanquish the enemy, not in the wordless, as it is often denoted, but in silence past the word."--BOOK JACKET.
Voice and Eye in Faulkner's Fiction
Hugh M. Ruppersburg examines the use of narrative viewpoint and structure in four representative novels by William Faulkner: Light in August, Pylon, Requiem for a Nun, and Absalom, Absalom! In his discussion of these four works he refers frequently, and often at length, to Faulkner's other novels and stories, so that the book offers a comprehensive examination of the narrative principle that underlie Faulkner's literary achievement. Ruppersburg shows how the Nobel Prize-winning novelist employed a number of elements to guarantee the impersonality of his fiction--how he built his novels primarily around the speech and thoughts of his characters. The absence of a judgmental authorial or narrat...
Eudora Welty, Whiteness, and Race
Faced with Eudora Welty's preference for the oblique in literary performances, some have assumed that Welty was not concerned with issues of race, or even that she was perhaps ambivalent toward racism. This collection counters those assumptions as it examines Welty's handling of race, the color line, and Jim Crow segregation and sheds new light on her views about the patterns, insensitivities, blindness, and atrocities of whiteness. Contributors to this volume show that Welty addressed whiteness and race in her earliest stories, her photography, and her first novel, Delta Wedding. In subsequent work, including The Golden Apples, The Optimist's Daughter, and her memoir, One Writer's Beginning...
