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Sceptres and Sciences argues convincingly that previous research on the Hispanic Late Baroque has underweighted the ideologies of ethnicity and empire embedded in Cartesianism and French neoclassicism. "... a masterful work of scholarship... should become essential reading in the field of Colonial and Spanish Enlightenment Studies."—Bulletin of Hispanic Studies
This collection of essays examines current trends in scholarly research on Spanish author Carmen Martín Gaite (1925-2000). It concentrates on the least explored areas of Martín Gaite's oeuvre, such as her collage artwork, the relationship between image and text in her work, and her close relationship with themes such as genre writing, the fairy tale, and textual/physical notions of space, as well as her personal theories on orality and narration. As we pass the tenth anniversary of her death, Martín Gaite continues to be an increasing focus of study, as scholars start to identify and comprehend the breadth and scope of her work. The essays in the volume complement previous studies of Martín Gaite's major works from the 1960s and 1970s by focusing largely on her later novels, together with in-depth analysis of the manuscripts and artistic materials that have been made available since her death.
Essays on: Giorgione and Boethius: The Consolation of Philosophy; The Escorial and Philip II; El Greco's Greek Phantasy and Toledo's Fantasia; Francisco Zurbarn and the claritas of Bright Colours; Velzquez and Francisco Snchez: the precursor of Descartes; Goya and Benito Feijoo: the artist's liberation through the new sensibility; Pablo Picasso and Rubén Daro: the new world of rhythms.
What's in a nineteenth-century philanthropist? Fear of an uprising. But the frightened philanthropist has a remedy. Aware that the urban surge of the working-class masses in Spain would create a state of emergency, he or she devises a means to seduce the masses away from rebellion by taking on himself or herself the role of the seducer: the capitalist intellectual hero invested in the caretaking of the unpredictable working class. Intellectual Philanthropy examines cultural practices used by philanthropists in modern Iberia. It explains the meaning and role of intellectual philanthropy by focusing on the devices and apparatuses philanthropists devised to realize their projects. Intellectual ...
Professor Fraker argues that the Celestina, however original or singular, does not embody a new discourse, and falls easily within the literary norms of its time. Thus on the one hand it belongs to a genre, comedy, the term taken in a sense perfectly accessible to the two authors and their contemporaries. On the other, the detail and fabric of the work is in great part genuinely rhetorical.
Described as one of Spain's foremost Golden-Age poets, Luis de Gongora generated a vast and complex poetic textual tradition through the creation, revision and dissemination of his verse. In later life, he authorized his friend Antonio Chacon to compile an anthology of his poetic works which had been in disarray for many years. Gongora's assistance in identifying the genuine versions of his poems and his participation in the compiling, editing and dating of these poems make the Chacon manuscript (1620) an authoritative collection of the poet's verse. Nevertheless, it includes defective poems and, moreover, the plethora of variants, versions and imitations of his poetry raises questions of authorship and authenticity.
How did the tall, lanky Don Quixote and the short, stout Sancho Panza become staple figures of Western iconography, so well known that their silhouettes are easily recognizable in Picasso's famous work? How did the novel Don Quixote, a parody of the romances of knight errantry, become a paean to the long-suffering, impotent nobility of its deluded protagonist? According to Rachel Schmidt, the answers to both questions are to be found in the way in which the novel's characters and episodes were depicted in early illustrated editions. In Critical Images Schmidt argues that these visual images presented critical interpretations that both formed and represented the novel's historical reception. ...
Written constitutions are an important attribute of nation states and have become a global phenomenon over the past 200 years. The process began with the revolutions in the Atlantic World, from where it spread to other regions. The present volume looks into the complex of constitutions, the fundamental values conveyed by the constitutional texts, the building and functioning of new constitutional bodies and their symbolic representation. All the authors work on the assumption that in order to fully understand the constitutional order and its history, it is necessary, in addition to studying the legal text, to analyse its special forms of implementation and legitimisation. Therefore, culture ...
This book looks at the reasons behind the emergence of a Catalan nationalist movement from the late 1880s, one of the most important developments that took place in nineteenth-century Spain, with the 'Catalan question' thereafter never far from the centre of the Spanish political stage.