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Coloured Spectacles
DigiCat Publishing presents to you this special edition of "Coloured Spectacles" by Frederick Niven. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Lost Cabin Mine
The Lost Cabin Mine (1908)Author: Niven, Frederick John (1878-1944) Frederick John Niven, (born March 31, 1878, Valparaíso, Chile-died Jan. 30, 1944, Vancouver, B.C., Can.) regional novelist who wrote more than 30 novels, many of them historical romances, set in Scotland and Canada. Three of his best-known novels-The Flying Years (1935), Mine Inheritance (1940), and The Transplanted (1944)-form a trilogy dealing with the settlement of the Canadian west.Educated in Scotland, Niven worked in libraries in Glasgow and Edinburgh. He went to Canada about 1900 and worked in construction camps in the Canadian west. Returning to the British Isles, he was a writer and journalist in England until after World War I, when he settled permanently in British Columbia. He also published verse and an autobiography, Coloured Spectacles (1938).
Wild Honey
"Wild Honey" is a beautiful work by Frederick Niven written in 1927. The account of his time being homeless on the railroads inspires as well as entertains with delightful characters and genuine insight into a charming aspect of the early 20th century.
Unnamed Country
Americans have an idea of what the Great Plains did to the people who settled there but know little about the analogous process north of the 49th parallel, or how it was reflected in fiction. Dick Harrison's Unnamed Country fills this gap. Harrison traces the varying literary responses to the Canadian prairies, from the bewilderment of the first English-speaking visitors, who saw the country in essentially negative terms -- no wood, no water -- down to the contemporary novelists who are employing sophisticated modem fictional techniques to reinterpret the whole experience from a new perspective. Between these two ends of the literary continuum he finds the early writers of fiction too loaded down with what he calls "excess cultural baggage" brought from Britain or eastern Canada to see the country as it was; the early twentieth-century writers, bemused by the myth of the garden, who portrayed the prairies subdued and fruitful; the prairie realists of the 1920s and 1930s, akin to O. E. Rolvaag in their tragic view; and their contemporaries, the popular novelists, who depicted the pioneering process in more affirmative tones.
To Know Our Many Selves
To Know Our Many Selves profiles the history of Canadian studies, which began as early as the 1840s with the Study of Canada. In discussing this comprehensive examination of culture, Hoerder highlights its unique interdisciplinary approach, which included both sociological and political angles. Years later, as the study of other ethnicities was added to the cultural story of Canada, a solid foundation was formed for the nation's master narrative.
Terranglia
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Canadian Literature in English
W. J. Keith has chosen to ignore utterly both the `popular' at the one extreme (Robert Service, Lucy Maud Montgomery) as well as the `avant-garde' at the other (bpnichol, Anne Carson) in favour of those authors whose style lends itself to the simple pleasure of reading, and to that end Keith dedicates his history to `all those -- including those of the general reading public whose endangered status is much lamented -- who recognize and celebrate the dance of words.'
The Slave's Cause
“Traces the history of abolition from the 1600s to the 1860s . . . a valuable addition to our understanding of the role of race and racism in America.”—Florida Courier Received historical wisdom casts abolitionists as bourgeois, mostly white reformers burdened by racial paternalism and economic conservatism. Manisha Sinha overturns this image, broadening her scope beyond the antebellum period usually associated with abolitionism and recasting it as a radical social movement in which men and women, black and white, free and enslaved found common ground in causes ranging from feminism and utopian socialism to anti-imperialism and efforts to defend the rights of labor. Drawing on extensiv...
Lost in the Backwoods
How is the Scottish imagination shaped by its emigre experience with wilderness and the extreme? Drawing on journals, emigrant guides, memoirs, letters, poetry and fiction, this book examines patterns of survival, defeat, adaptation and response in North
Prizing Scottish Literature
This history of the Saltire Society Literary Awards demonstrates the significance the awards have had within Scottish literary and cultural life. The book explores how the prizes have influenced understandings of Scottish literature over eight decades and explores what they reveal about the wider mechanisms of how literary prize culture functions in the UK today.
