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Coinciding with the 250th anniversary of Goethe's birth, this bibliography provides a brand new record of international publications on his life and work over the last four decades. The bibliography covers 25,000 publications, including individual and complete editions of works by Goethe, translations into a total of 62 languages and the entire literature on Goethe's life and work. As well as book publications, collective volumes and Goethe periodicals, the bibliography covers editions in new media, dissertations and essays in anthologies, journals and annuals. Publications both in German and other languages from throughout the world are listed. The bibliography reflects the entire cosmos of...
Aus den Forschungsgebieten des langjährigen Direktors des Freien Deutschen Hochstifts dokumentiert die ihm gewidmete Festschrift ein Interesse, das von der Goethezeit bis in die Moderne reicht und dabei in der Lyrikinterpretation einen Schwerpunkt berücksichtigt. Ein zusätzlicher Themenbereich ist die Geschichte des Freien Deutschen Hochstifts unter Berücksichtigung seiner Sammlungsbestände. Dazu kommen Erstveröffentlichungen auch aus anderen Archiven, sowie Beiträge aus der interdisziplinären Umfeld goethezeitlicher Literatur- und Kunstgeschichte.
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more pri...
This innovative new book examines the ways in which writers’ houses contribute to the making of memory. It shows that houses built or inhabited by poets and novelists both reflect and construct the author’s private and artistic persona; it also demonstrates how this materialized process of self-fashioning is subsequently appropriated within various strategies and policies of cultural memory.