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First published collaboration between Frieda Hughes's art and poetry, including 60 full-colour plates of both abstract and figurative work.
The daughter of Sylvia Plath and Ted Hughes looks back on forty-five years of loves, losses, pain, hope and joy in this revealing poetry collection. Breaking forty-five years of near-silence on the subject of her life, Frieda Hughes finally opens up through the medium she knows best -- poetry. In this extraordinary collection of personal poems, she takes the reader step-by-step through the difficult and inspirational events that defined each year of her life, and which she encapsulates here. We share her pain through her mother's suicide, her fight against bulimia, three marriages, losing her father to cancer, and an apparently insurmountable breakdown in the relationship with her stepmother...
Frieda Hughes's fables cast light on two worlds, giving a mythic dimension to contemporary life - depicting with an artist's keen eye the particular nature of beast, fish and fowl. Stonepicker is Frieda Hughes's second collection, now out of print in this edition but all the poems are included in Out of the Ashes (Bloodaxe Books, 2018).
In 1956 Sylvia Plath wrote to her mother, Aurelia Plath: 'I feel I'm developing a kind of primitive style of my own which I am very fond of. Wait til you see. The Cambridge sketch was nothing compared to these.' Sylvia Plath cited art as her deepest source of inspiration but, while her poetry is celebrated around the world, her drawings are little known. This volume brings together drawings from 1955 to 1957, the period she spent on a Fulbright scholarship from the US at Newnham College, Cambridge. During this time she married Ted Hughes and travelled with him to Paris and Spain. First published as a catalogue for an exhibition at the Mayor Gallery, the tiny drawings in pen and ink are exquisitely observed. They include Parisian rooftops, trees and churches.
"The Book of Mirrors" tries to let us see ourselves as we really are. We should have the answers to all our own questions, but if we don't see ourselves clearly - faults included - our answers can be distorted by vanities or ego. The poems ask: What do we want from our lives? Is it worth having? What would we like to change in ourselves and our circumstances? Are arguments worth the effort? Is anything achieved by them? Death is unavoidable and all our battles are in vain in the end, so we should choose what to defend, what to fight for and how much of the quality of our lives we are prepared to sacrifice in the process. If only we could make the best of what we are, with the abilities we are given - and develop - without being distracted by the conflicts and desires that too often define us, and which are ultimately unimportant. "The Book of Mirrors" examines the ideas of argument, resolution and the acceptance of what cannot be changed. It also includes poems relating to childhood memories, adolescent experiences and encounters with itinerant wildlife.
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Frieda Hughes' first collection of poems extends the distinctive imaginative territory of her paintings and children's books. In the fairytale world of Wooroloo, light defines dark while dark extends its shadows into the brightest of lives. Fire is the dominant element of these poems: as in her recent paintings, created phoenix-like from the bushfire which destroyed her studio in Wooroloo, her once paradisal home in Australia. Her fables cast light on two worlds, giving a mythic dimension to a contemporary world of husbands and wives, hospital patients and social outcasts, at the same time as they depict with an artist's keen eye the particular nature of beast, fish and fowl.
Danny only went into the petshop for a dog, but the petshop owner offered to find him something quite different instead. A living, breathing, human friend of his own. Danny is a bit lonely, after all. Perhaps this will solve the problem! But making friends isn't quite that simple, as Danny's about to find out. Suggested level: junior, primary.
Features three bizarre stories, each with a twist in the tail: from the weird clockwork dog with strangely human features, to the Granny possessed by a wicked spirit, to the little brother who concocts a special chemical to make things grow.
A new collection of unusually intimate poems by the highly acclaimed poet Frieda Hughes, Daughter of Sylvia Plath and Ted Hughes