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Ancient Memories, Modern Identities
Ancient Memories, Modern Identities stands for pagan, peasant memories in a postmodern, urban North America. Second- and third-generation authors, young by adoption but old in their vision, express the phenomenon of migration as both a physical displacement and indelible memory.
The Anthology of Italian-Canadian Writing
The more than fifty authors represented come from across Canada and have backgrounds in all regions of Italy.
The Coincidence
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Context North America
Context North America is a comparative study of Canadian and American literary relations that emphasizes the cultural and institutional contexts in which Canadian literature is taught and read. This volume exemplifies the question of how the literatures of Canada might aptly be studied and contextualized in the days of heightened discontinuity and increasingly ambiguous borderlines both between and within the many narratives that make up North America. Published in English.
Identità fluttuanti
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Tricks with a Glass
Studies of literary reflections on ethnicity are essential to the ever-renewed definition of Canadian literature. The essays in this collection explore the diverse ways of negotiating identity and the articulation of space in Canada, taking ethnicity as a driving force with ideological and cultural implications that lend public and literary discourse an urgent dynamism. While theorizing ethnicity is a valuable critical enterprise, these essays centre on the concrete realization of the problematics of ethnicity in creative writing, covering a wide range of Canada's mosaic. The creative inscription of ethnicity stimulates the evolution and expansion of Canada's literary heritage, the complexit...
Duologue
Literary Criticism. Cultural Studies. In San Diego, California, between June 15 and June 17, 1996, two writers sit before a microphone and exchange ideas on a number of burning issues with which they have both had to contend for over twenty years. Literature, the politics of publishing, identity, culture, post-emigrant culture, ethnicity, pluriculturalism, Americanism, Canadianism, nationalism, the use of writers' associations: these are some of the themes that Antonio D'Alfonso and Pasquale Verdicchio tackle in this casual yet intense duologue. Antonio D'Alfonso has published over a dozen books and works as an editor and publisher, and Pasquale Verdicchio is the author of a dozen books and is head of the Writing Program in the Department of Literature at the University of California, San Diego.
Echo
This collection of essays explores the literature of Italian immigrants in Canada and their children by focusing on the central role that themes of migration hold in their work. Addressing topics such as the oral roots of Canadian immigrant writing, the changing place of women in works of the Italian diaspora, and the persistent difficulties of translation, this work provides an international perspective on some of the most pressing questions in the study of literature today. In addition to Canadian works, the work of immigrant writers from Australia and other countries is also considered, producing nuanced observations of cultural differences and affinities.
In Italics
Poet and novelist, Antonio D'Alfonso has been writing essays and giving in-depth interviews for twenty years. This collection contains the most important of these texts which have been reworked into a coherent entity. D'Alfonso discusses the importance of ethnic awareness which he places at the antipodes of territorial nationalism for which ethnicity is too often mistaken. The themes raised in this eclectic book relate to general culture, language, literature, film, and publishing (he founded Guernica Editions in 1978). Though it is the Italian perspective (which the author prefers to call Italic) that is favored, the themes and concepts developed are applicable to other cultures and countries. In Italics is a polemical and unblushing defense for the individual's right to a collective Imaginary, no matter which country one lives in.
