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Inventing the Jew follows the evolution of stereotypes of Jews from the level of traditional Romanian and other Central-East European cultures (their legends, fairy tales, ballads, carols, anecdotes, superstitions, and iconographic representations) to that of "high" cultures (including literature, essays, journalism, and sociopolitical writings), showing how motifs specific to "folkloric antisemitism" migrated to "intellectual antisemitism." This comparative perspective also highlights how the images of Jews have differed from that of other "strangers" such as Hungarians, Germans, Roma, Turks.
This volume explores a selection of significant and topical elements from the vast amount of Romanian folkloric and mythological material. It sheds light on the mythical-ritualistic aspects of three complex calendar holydays (specifically The Lads of Brașov, Călușarii, and Sânzienele), whose ritualistic sequences, laden with mythical-symbolical reminiscences, were lost during the Communist period and are known today thanks to their spectacular features. Such aspects include demonic mythical beings (such as Iele, Rusalii, Știma Apei, The Woodwoman, and Strigoi) that define the collective imaginary; significant myths that have found their artistic expression in fairytales and legends; and the role of women in traditional Romanian society.
It is the 11th issue of the international scientific journal 'European Scientific e-Journal" (Czech Republic). There are 5 works in the fields of jurisprudence and municipal administration in Romania, Russia and Kazakhstan. The works are written in English, Romanian, and Russian languages.
Reprint of the original, first published in 1928.
Nicolae Iorga's A History of Romania: Land, People, Civilization is an intimate portrait of a land and its people written by its greatest historian. Much like Herodotus in antiquity, Iorga can be considered "the father of history" for his country. Like a true artist, he paints a portrait of Romania, bringing to life the complex history of this fascinating land. Iorga skillfully weaves together history, art, architecture, language, literature, and culture to give the reader an understanding of the fabric of Romanian society. The author presents the history of the Romanian lands from ancient times until the end of World War I, reflecting on the great personalities and events that shaped the nation, while examining the various threads that bind it together. The book includes a list of rulers, a bibliography, an index, and numerous illustrations. It includes a foreword by David Prodan, another great personality of Romanian historiography, discussing Iorga's contributions to Romanian scholarship. Nicolae Iorga's A History of Romania is essential reading for anyone interested in the story of this fascinating land.
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Bulgaria and Serbia during socialism are outlined from many different points of view in this volume. Beyond local and personal trajectories the authors illuminate more general and comparative questions. Was there anything like a "socialist anthropology", common to all three countries? Did Soviet and/or Marxist influences, in the discipline and in society in general, penetrate so deeply as to form an unavoidable common denominator of anthropological practice? The answers turn out to be complex and subtle. While unifying ideological forces were very strong in the 1950s, diversity increased thereafter. Anthropology was entangled with national ideology in all three countries, but the evidence nonetheless calls for "polyphonic" interpretations.
Rumäniens Aufbruch nach Europa beginnt in der zweiten Hälfte des 18. Jahrhunderts. Vor dem Hintergrund französischer, russischer und habsburgischer Einflüsse dringt die Verwestlichung in alle Bereiche der Gesellschaft und des täglichen Lebens vor. Die Autorin richtet ihren Blick auf ein bislang weitgehend unerforschtes Feld: Liebe und Sexualität in den rumänischen Fürstentümern im soziokulturellen Umbruch. Sie skizziert den kulturhistorischen Paradigmenwechsel von einer weitgehend orientalischen Werteskala hin zur Anpassung an mittel- bzw. westeuropäische Gepflogenheiten im Lebensstil aller sozialen Schichten und zeigt, dass häufig gerade die Frauen in diesen Modernisierungsprozessen die treibende Kraft waren.
This edited volume examines manele (sing. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.