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This comprehensive 1988 survey of the poet's life and work appeared during the 300th anniversary of Alexander Pope's birth in 1688.
A comprehensive examination of the meaning, history, and evolution of the basic notion of "literature" from antiquity to the seventeenth century.
Colonizer or Colonized introduces two colonial stories into the heart of France's literary and cultural history. The first describes elite France's conflicted relationship to the Ancient World. As much as French intellectuals aligned themselves with the Greco-Romans as an "us," they also resented the Ancients as an imperial "them," haunted by the memory that both the Greeks and Romans had colonized their ancestors, the Gauls. This memory put the elite on the defensive—defending against the legacy of this colonized past and the fear that they were the barbarian other. The second story mirrored the first. Just as the Romans had colonized the Gauls, France would colonize the New World, becomi...
Gathers Poe's essays on the theory of poetry, the art of fiction, the role of the critic, leading nineteenth-century writers, and the New York literary world.
As the end of the 20th century approaches, many predict that it will mirror the 19th-century decline into decadence. The author of this text finds a closer analogy with the culture wars of France in the 1690s - the time of a battle of the books known as the Quarrel between the Ancients and Moderns.
By the mid-1600s, the commonsense, manifest picture of the world associated with Aristotle had been undermined by skeptical arguments on the one hand and by the rise of the New Science on the other. What would be the scientific image to succeed the Aristotelian model? Thomas Lennon argues here that the contest between the supporters of Descartes and the supporters of Gassendi to decide this issue was the most important philosophical debate of the latter half of the seventeenth century. Descartes and Gassendi inspired their followers with radically opposed perspectives on space, the objects in it, and how these objects are known. Lennon maintains that differing concepts on these matters impli...
In this compelling new addition to Sandra M. Gilbert's Ad Feminam: Women and Literature series, Katharine Ann Jensen examines the cultural form of the love letter and its intersection with the novel in the works of seventeenth- and eighteenth-century French women writers. Traditionally, French literary history has focused on eighteenth-century male writers Rousseau and Laclos as the master artists of the epistolary novel. That emphasis on one century, one gender, and one epistolary form--the novel--obscures the history of women's writing in France. In the seventeenth century, the love letter was viewed as a feminine literary form in which a woman's passionate and emotional "nature" found its...