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Picture Paradise
Picture Paradise chronicles the transmission and adoption of new developments in photography from Europe to the Asia-Pacific region. It is the first survey of the early photography from this diverse region covering India and Sri Lanka, Southeast and East Asia, Australia, New Zealand and the Pacific Islands, to the West Coast of North America. It includes pioneer local photographers as well as European photographers working in the region and reveals the rich heritage and the many outstanding achievements of the first century of photography in the Asia-Pacific region. Picture Paradise features over seventy photographs and albums ranging from gem-like daguerreotype portraits through to the revolution in the mass production of views and portraits on paper made possible by the wet-plate and dry-plate glass negative-positive process, and on to the modern era of small format film cameras and photojournalism.
Tracey Moffatt
Fever pitch.
South with Endurance
The definitive collection of Frank Hurley's amazing photos from Shackleton's Antarctic expedition is the first book to reproduce all the surviving expedition photos, some of which have never been published. Over 450 photos.
Garden of the East
Garden of the East opens the door to a time of change in Indonesia in the century before independence from Dutch colonial interests. It takes the journey from the beginnings of photography in the region in the 1850s, which were driven by colonial interests, to the rise of the self-made Indonesian man and the upheaval before liberation in 1945, painting a portrait of the former Dutch East Indies and its eventual end. The portrait is one of immense beauty and mixed sentiment, showing the splendour of the county's islands and people, its landscapes and rich ancient histories, burgeoning tourism and industry, and the changing relationships between the indigenous peoples and the colonial machine. The period is captured in the work of the earliest photographers travelling from Europe to the ascent of the region's own photographers, including those indigenous to Indonesia, and the growth of international interests in Indonesia as a destination, as an Eden of sorts, as the Garden of the East.
Australian Cinema in the 1990s
This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular emphasis is put on globalisation, authorship, national narrative and film aesthetics.
Photographing, Exploring and Exhibiting Russian Turkestan
This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic market and reception of photography in the Russian Empire, the position of the popular press, the place of public exhibitions and emergence of the first ethnographic museums that took pace from Moscow to Tashkent during the time of the Russian conquest. This book embraces the dominant mode for representing the new colonial territories in the mid-late-19th-century Russia, by outlining the technical, commercial and artistic milieus during the Golden Age of Russian orientalism. The book will be of interest to scholars working in art history, history of photography and Russian studies.
Charting Thoughts
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
Brush & Shutter
Accompanies an exhibition held at the J. Paul Getty Museum, 8 February-1 May 2011.
History Making a Difference
Why care about the past? Why teach, research and write history? In this volume, leading and emerging scholars, activists and those working in the public sector, archives and museums bring their expertise to provide timely direction and informed debate about the importance of history. Primarily concerned with Aotearoa (the Māori name for New Zealand), the essays within traverse local, national and global knowledge to offer new approaches that consider the ability and potential for history to ‘make a difference’ in the early twenty-first century. Authors adopt a wide range of methodological approaches, including social, cultural, Māori, oral, race relations, religious, public, political, economic, visual and material history. The chapters engage with work in postcolonial and cultural studies. The volume is divided into three sections that address the themes of challenging power and privilege, the co-production of historical knowledge and public and material histories. Collectively, the potential for dialogue across previous sub-disciplinary and public, private and professional divides is pursued.
Intersections
Using photographs from the National Library's collection, Ennis introduces us to Australia from the 1840's to the present as we have never seen it before - at peace and at war, and in all its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Peta Hill and many others. Large format.
