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Among the many artists who have broached the motifs and themes of alchemy, Anselm Kiefer (born 1945) is pre-eminent in his concern with the transformation of earthly elements such as oil, straw, lead, mercury, stone, metal, rust and mud. Alkahest documents the artist's latest series of both monumental and smaller paintings, as well as sculptures, which explore the titular alchemical term. Kiefer defines the term and his uses of it thus: "'Alkahest' signifies that there is a solution which can dilute any substance. Dilution is of course something very important for me. I often lay pictures on the floor and pour water over them, or pour on water that has paint dissolved in it. So I'm exposing them to dilution." Alkahest features color reproductions of the series as well as a poem by Christopher Ransmayr.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
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Artist Rachel Jones's first publication, say cheeeeese, is published to accompany her new commission at Chisenhale Gallery, London, in spring 2022. For her first solo exhibition in an institution, she has developed her chosen materials of oil pastels and oil sticks to produce a new body of paintings on canvas and paper. The publication will feature reproductions of new works by Jones alongside her photo essay and newly commissioned texts by poet and artist Anaïs Duplan; Chisenhale Gallery Senior Curator, Ellen Greig; curator and researcher Aïcha Mehrez; poet, essayist, playwright, and MacArthur Fellow Claudia Rankine; and curator Yates Norton; with a foreword by Chisenhale Gallery Director, Zoé Whitley.
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The art of Anselm Kiefer is rich with references to writers, philosophers, and poets, and his relationship with Paul Celan has been the most complex and intense of these dialogues with the past. Celan's poetry, inextricably linked with the memory of the Holocaust, has haunted Kiefer's work for more than twenty-five years and has influenced him on every level, from the naming of works and exhibitions to the incorporation of symbolic materials from Celan's imagery - sand, straw, hair, and ashes - into his paintings.Like other German artists of his generation, Kiefer began by questioning his own artistic heritage, focusing on the iconographic and mythological elements of German culture that had...
Text by Nicolas Bourriaud.
Published to accompany German Expressionist Anselm Kiefer's 2008 exhibition at Galerie Thaddaeus Ropac, Salzburg, this exquisitely produced volume features black-and-white documentary photographs of the artist and his fabled indoor-outdoor Paris studio, a very generous selection of color reproductions and details and an insightful interview of Kiefer by Klaus Dermutz. The work itself is a cycle of roughly 30 paintings and one sculpture from 2007 and 2008 that deal with the biblical figure of the Virgin Mary. Its title, which translates as Maria Walks amid the Thorn, refers to an old German Christmas carol that has been popular for the better part of the past century. Some of the works in this important new cycle were started in the 1970s and completed in recent months with Keifer's unique "sedimenting" method.