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Scottish Treasures
An exhibition catalogue illustrating fifty paintings from the National Gallery of Scotland's collection.
A Companion Guide to the National Gallery of Scotland
"The National Gallery of Scotland is widely regarded as one of the finest smaller galleries in the world. The collection includes the greatest names in Western art such as Raphael, Titian, El Greco, Velazquez, Rembrandt, Rubens, Watteau, Tiepolo, Canova and many of the impressionists and post-impressionists. It also contains the most comprehensive collection of Scottish art with masterpieces by Ramsay, Raeburn and Wilkie, as well as a host of less familiar names who all made their own contributions to one of the most distinctive of the smaller national schools. This book offers a guide to the collection as well as an accessible and informative introduction to the history of art."--Back cover.
The Art of Jewellery in Scotland
A comprehensive collection which traces the history of Scottish jewelry from the 16th century to the present day. The rings, brooches, bracelets and necklaces of Scotland's lords and ladies are still part of Scotland's rich fashion heritage.
Bridget Riley: The Stripe Paintings 1961-2014
Published on the occasion of Bridget Riley’s major exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past fifty years, focusing specifically on her recurrent use of the stripe motif. Riley has devoted her practice to actively engaging viewers through elementary shapes such as lines, circles, curves, and squares, creating visual experiences that at times trigger optical sensations of vibration and movement. The London show, her most extensive presentation in the city since her 2003 retrospective at Tate Britain, explored the stunning visu...
James Hutton
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Bridget Riley: Works from 1981-2015
Bridget Riley’s explorations of perception through form and color have made her into one of the most significant painters working today. Since the early 1960s, she has used elementary shapes—lines, circles, curves, and squares—to create visual experiences that immediately draw the viewer in, often triggering optical vibrations and illusions. More recently, Riley has shifted back to black and white in her large-scale paintings, marking a departure from her recent colored stripe paintings and a return to the palette of some of her earliest works. Published on the occasion of her 2015 solo exhibition at David Zwirner, Bridget Riley: Works 1981–2015 presents paintings from the last thirt...
Alison Watt
The first appearance in print of a series of brand new paintings by Alison Watt Revisits and explores the work of popular 18th-century artist, Allan Ramsay A fascinating melding of 18th- and 21st-century Scottish art A beautiful book which, in its design, reflects the delicacy of Allan Ramsay's work Published to accompany an exhibition at the Scottish National Portrait Gallery from June to October, 2020 In a series of brand new paintings, renowned artist, Alison Watt, responds to the paintings and drawings of 18th-century Scottish artist Allan Ramsay. The new works are particularly inspired by Ramsay's wonderful and much-loved painting of his wife, but also consider some seldom seen drawings...
Late Roman Silver
The Traprain Law treasure from east Lothian in south-east Scotland is the most dramatic hoard of late Roman Hacksilber yet found. The interpretation of these bent, broken and crushed silver fragments has long been debated. Were they loot broken up by uncultured barbarians, or some form of diplomatic gift? This volume places the phenomenon in the wider context of late Roman silver use, considers Britain either side of the frontier in the late fourth and fifth century, and then expands across the Roman world, analysing topics such as the role of late Roman silver vessels and the nature of donatives and diplomatic gifts to people inside and outside the empire. A series of authors debate the enigmatic and peculiarly British habit of clipping late Roman silver coins, and present new data. NB: The publisher appears to have confused the ISBN of this book with that of the book The Antiquarian Rediscovery of the Antonine Wall (9781908332004).
