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An innocent Balinese family is caught in the deadly crossfire between between opposing sides after the alleged Communist coup fails in Indonesia in 1965. Supernatural forces bring about divine retribution in this exciting tale of mysticism and morality. It looks at the reasons behind the terrible violence that engulfed the island by interweaving actual events and history with mythology, dreams and rituals.
"Bridges to the Ancestors effectively reveals the Lingsar festival as a site of cultural struggle as Harnish explores how history, identity, and power are constructed and negotiated. He addresses the fascinating interaction between music and myth and the forces of modernity, globalization, authenticity, tourism, religion, regionalism, and nationalism in maintaining "tradition.""--Jacket.
Statues, paintings, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities, and sometimes these objects are understood to be enlivened, agentive on their own terms. This book explores how magical images are expected to work with the shamans and spirit mediums who tend and use them in contemporary South Korea, Vietnam, Myanmar, Bali, and elsewhere in Asia. It considers how such things are fabricated, marketed, cared for, disposed of, and sometimes transformed into art-market commodities and museum artifacts.
Deena Burton is well known for her accomplishments as a dancer, choreographer, producer, and scholar of Indonesian Arts. In the course of her research she came across the pioneering work of Claire Holt, who had written about art and culture in New York and Europe, especially the rise of Modern Dance, between the fi rst and second World Wars. During a trip to Indonesia in 1930 Claire Holt became enamored of Javanese dance. She stayed for many years, on and off, and was among the community of artists and anthropologists living in Bali at that time including Walter Spies, Colin McPhee, Miguel Covarrubias, Margaret Mead and others who were both deeply infl uenced by this ancient culture and obsessive in documenting Indonesias emergence into the 20th century. This book, which began as Deenas PhD dissertation, is a tribute to her own dedication and that of a kindred spirit - Claire Holt and their love for the arts and peoples of Indonesia. (Pictured above is a young Deena Burton beginning a masked dance).
Professor Tommy Koh is Singapore's Ambassador-at-Large at the Ministry of Foreign Affairs, Rector of Tembusu College, Special Adviser of the Institute of Policy Studies, and Chairman of the Centre for International Law, National University of Singapore.In his distinguished career, Prof Koh has served as Singapore's Permanent Representative to the United Nations, as Ambassador to the United States of America, as President of the Third UN Conference on the Law of the Sea and Chairman of the Preparatory Committee and the Main Committee of the UN Conference on Environment and Development. He was the UN Secretary-General's Special Envoy to Russia, Estonia, Latvia, and Lithuania. He chaired two di...
Mutual borrowing, fluid transactions and transformations of performances and performers have a long and enduring history in Southeast Asia, but this trend has been heightened and made more vivid in the contemporary period. The omnipresence of global communications has provoked and inspired yet more novel experiments and collaborations between cosmopolitan artists and globally-oriented performers. This volume offers vital insights into recent developments in Southeast Asian performance. It demonstrates the ways in which contemporary artists and performers are increasingly working betwixt the traditional boundaries of the nation and discourses of identity. The essays collected here are testament to ongoing conversations and relations among scholars, practitioners and scholar-practitioners in Southeast Asia and around the world.
Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change.
Balinese Art is the first comprehensive survey of Balinese painting from its origins in the traditional Balinese village to its present position at the forefront of the high-priced Asian art scene. Balinese art has been popular and widely collected around the world for many decades. In fact, the contemporary painter who commands the highest prices in Southeast Asia's hot art market is Bali-born Nyoman Masriadi (1973-). This book demonstrates that his work draws on a long and deeply-rooted tradition of the Bali art scene. Balinese painting has deep local roots and has followed its own distinctive trajectory, yet has been heavily influenced by outsiders. Indian artistic and religious tradition...
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.