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Going Top Shelf
Going Top Shelf brings together for the first time in one collection some of Canada's best hockey poems and song lyrics. Included are works by such outstanding Canadian poets as Michael Ondaatje, Al Purdy, Margaret Avison, Don Gutteridge and Lorna Crozier. And for music lovers with a taste for contemporary Canadian music, this entertaining collection includes lyrics by The Tragically Hip, The Rheostatics, Kathleen Edwards, Stompin' Tom Connors, and others. Going Top Shelf represents a cross-section of Canada 's poets and composers, ranging from 19th-century romantic poet Sir Charles G.C. Roberts to contemporary pop songstress Jane Siberry. Altogether, more than 30 authors and songwriters from across Canada reflect an intriguing diversity of forms and literary expression. Yet in all the poems, ice--or the sport played to extensively in Canada upon it--is used to express the ideas, beliefs and attitudes of this diverse group of Canadian authors. For the poetry scholar, for the lover of good music, for the hockey fan, this is a collection to be enjoyed. Indeed, Going Top Shelf represents a literary "top shelf" of hockey poetry without equal.
I Feel a Little Jumpy Around You
An award-winning anthology of paired poems by men and women. In this insightful anthology, the editors grouped almost 200 poems into pairs to demonstrate the different ways in which male and female poets see the same topics. How women see men, how boys see girls, and how we all see the world—often in very different ways, but surprisingly, wonderfully, sometimes very much the same.
Moose Jaw
In dramatic writing and numerous archival and contemporary photos, this accessible and lively coffee-table book tells the story of the small prairie city with the big, big reputation.Despite its odd name - or maybe even partially because of it - Moose Jaw has had a history that is rich beyond that of most of its sister prairie cities. This new and comprehensive book charts the events that make up both the city's history and its mythology: the infamous River Street red-light district; the time half the police force threw the other half in jail; the coming of the air force training base. And, of course, those mysterious tunnels.Extensive interviews with Moose Jaw people who were witness to many of its historical highlights give the book a conversational immediacy. Numerous photos from past and present, along with reproductions of letters, posters, handbills and interesting documents, present the visual record to complement the text.
The Literary History of Saskatchewan
Saskatchewan’s literary history is both colourful and complex. It is also mature enough to deserve a critical investigation of its roots and origins, its salient features and its prominent players. This collection of scholarly essays, conceptualized and compiled by well-known Saskatchewan novelist, essayist and scholar David Carpenter, examines the Saskatchewan literary scene, from its early Aboriginal storytellers on through to the decades to the burgeoning 1970s. The dozen essays, preceded by a David Carpenter introduction, include such topics as “Our New Storytellers: Cree Literature in Saskatchewan”; “The Literary Construction of Saskatchewan before 1905: Narratives of Trade, Rebellion and Settlement” and “The New Generation: The Seventies Remembered.” Also included are special topics, among them – “Playwriting in Saskatchewan”; “Feral Muse, Angelic Muse – The Poetry of Anne Szumigalski”, and tribute pieces to John V. Hicks, R.D. Symons, Terrence Heath and Alex Karras. Contributing scholars include the likes of: Kristina Fagan, Jenny Kerber, Susan Gingell, Ken Mitchell and Martin Winquist.
A Place You'll Never Be
Six Days. Five Inmates. One Guard. Traversing the vast, serene wilderness in Northern Saskatchewan, a group of prisoners sets out on a six day canoe trip. Quinn, an inmate trustee, has been recruited for the pilot project meant to physically and emotionally challenge a small set of inmates about to be released after long terms inside for violent crimes. Their leader, Leggett, only thinks he’s in charge. Inviting along a new parole officer, Martha, and her teenage son, Brian, is just the first of his mistakes. An insect plague of biblical proportions has taken over the north country, and the inmates have always had a secret plan. The river quickly becomes a place of reckoning. Except for Qu...
Saskatchewan Writers
The more than 175 biographies in this volume together tell the story of writing in Saskatchewan. As David Carpenter notes in his Introduction to the volume: "The writers whose lives are told in these pages are part of an extraordinary cultural community that has touched and been touched by the people and landscape of this province."
Sundog Highway
"Finalist, Award for Publishing/Publishing in Education; Saskatchewan Book Awards" Saskatchewan's most established writers come together with the province's brightest new voices to create a comprehensive anthology that showcases some of the finest literature in the world. Their talents are combined with works by nearly a dozen Saskatchewan visual artists, to create a definitive collection of the best Saskatchewan's writers and artists have to offer in terms of fiction, poetry, dramatic scripts, personal journalism, and art.
Sharing the Past
Sharing the Past is an unprecedentedly detailed account of the intertwining discourses of Canadian history and creative literature. When social history emerged as its own field of study in the 1960s, it promised new stories that would bring readers away from the elite writing of academics and closer to the everyday experiences of people. Yet, the academy's continued emphasis on professional distance and objectivity made it difficult for historians to connect with the experiences of those about whom they wrote, and those same emphases made it all but impossible for non-academic experts to be institutionally recognized as historians. Drawing on interviews and new archival materials to construct a history of Canadian poetry written since 1960, Sharing the Past argues that the project of social history has achieved its fullest expression in lyric poetry, a genre in which personal experiences anchor history. Developing this genre since 1960, Canadian poets have provided an inclusive model for a truly social history that indiscriminately shares the right to speak authoritatively of the past.
Writing in Our Time
Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
Hot Thespian Action!
In Hot Thespian Action! Robin Whittaker argues that new plays can thrive in amateur theatres, which have freedoms unavailable to professional companies. He proves it with ten relevant, engaging playscripts originally produced by one of Canada's longest-running theatres, Edmonton's acclaimed Walterdale Theatre Associates. This collection challenges notions that amateur theatre is solely a phenomenon of the pre-professional past. Whittaker makes an important contribution to Canadian theatre studies with the first North American anthology in 80 years to collect plays first produced by a nonprofessionalized theatre company.
