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Gary Owen: Collected Plays
The new collection of plays from multi-award-winning playwright Gary Owen. Includes the plays: Violence and Son, Iphigenia in Splott, Blackthorn, In the Pipeline, Mrs Reynolds and the Ruffian, Love Steals Us From Loneliness and Mum & Dad Violence and Son: People know, you're my boy. And they know better than to lay a fucking finger on you. See? You are safer here with me, than you have ever been.' Liam's 17 years old, loves Dr Who and has lost his mum. He has had to move from London to Wales, to the valleys, to the middle of nowhere, to live with a dad he doesn't know. Whose nickname isn't Violence for nothing. Iphigenia in Splott: What gets me through is knowing I took this pain, and saved ...
Killology
In Killology, players are rewarded for torturing victims, scoring points for “creativity”. But Killology isn’t sick. In fact it’s marketed by its millionaire creator as a deeply moral experience. Because yes, you can live out your darkest fantasies, but you don’t escape their consequences. Out on the streets, not everybody agrees with him. “There is an instinctive revulsion against taking a human life. And that revulsion can be conquered.”
The Drowned World
Gary Owen's vicious tale on love, revolt and beauty presents a world divided between citizens and non-citizens, where friends betray one another and where surfaces matter more than love and kinship.
Iphigenia in Splott
What is gonna happen, when we can't take it anymore? Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it. Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more. Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre, winning the Best New Play at the UK Theatre Awards 2015. This edition was published to coincide with the production at the Lyric Hammersmith, London, in September 2022.
Love Steals Us From Loneliness
A play about the stupid things you do when you're f cked. A night out. Friends, alcohol, a shit club, a strop - the usual. But tonight is different. Tonight will change things forever. With Love Steals us from Loneliness, Gary Owen, one of Wales's foremost playwrights, returns to his hometown of Bridgend. The media have told us their Bridgend story, but what will a writer who spent his own teenage years here have to say?
Crazy Gary's Mobile Disco
Saturday night, small town Wales, one pub, one party and three lads stuck with their school reputations - the gimp, the geek and the bully. Their dream - to get the hell out With a dead cat stuffed through a letterbox, a soupcon of mindless violence and the perfect girl to die for, Crazy Gary's Mobile Disco bristles with the desperately ordinary, the truly extraordinary, and the just plain mad. Heroic, comic and right up your street, director Vicky Featherstone's reputation for excellence coupled with Gary Owen's dazzling gist for storytelling, creates another unmissable hit for Paines Plough in a co-production with Sgript Cymru - national new writing company of Wales. Produced by Paines Plough, with Sgript Cymru, and directed by Vicky Featherstone, Crazy Gary's Mobile Disco premiered at the Chapter Arts Centre, Cardiff, in February 2001.
Wilfred Owen
One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war's rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict. In this new biography Guy Cuthbertson provides a fresh account of Owen's life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. Cuthbertson chronicles a great poet's growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen's enduring verse can be understood.
How to Make a Million Dollars with Your Voice (or Lose Your Tonsils Trying)
Radio announcer and voice actor Gary Owens joins host Janie Haddad to talk about how his voice brought him success. His book, How to make a million dollars with your voice gives up the trade secrets Owens spent 40 years collecting.
Rhymes for the Working Man
The ballads and poems in this anthology were written by soldiers, miners, loggers, a Supreme Court Judge, song writers and even a few poets. Some of the language is pretty rough, but many of the men that wrote them or composed them were pretty rough themselves. In many books about ballads, the authors are listed as unknown or anonymous, but with the help of the internet, the Library of Congress, and several other anthologies I found a few of the Unknowns. Several qualities seem to give a ballad legs to remain popular over the centuries. It has to relate to current human events, such as war, unrequited love or sudden death. It also can be humorous, such as The four nights drunk, as any hung o...
Violence and Son
'People know, you're my boy. And they know better than to lay a fucking finger on you. See? You are safer here with me, than you have ever been.' Liam's 17 years old, loves Dr Who and has lost his mum. He has had to move from London to Wales, to the valleys, to the middle of nowhere, to live with a dad he doesn't know. Whose nickname isn't Violence for nothing.
