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Naties in een spanningsveld
Ter inleiding JO TOLLEBEEK, Het koppelteken van de nationale cultuur.
History and its Literary Genres
It was traditionally accepted (already in Poetics by Aristotle) that historiographic representations of historical events were more objective than literary ones that belonged to the realm of fiction. In the last 30 years with the breaking of the “Rankeian” faith in the attainable scientific objectivity of historiography it became clear that these two disciplines are not as apart as we might have thought. However, it is not merely the question whether or not we can attain a certain degree of objectivity in both historiography and literature, which is at the core of this book, but rather, what are the means and consequences of contemporary interactions of historiography and art. To be able...
Jezik in slovstvo
None
Liberated Cinema
Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.
