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"Southern Workers and the Search for Community is the first major effort to interpret the enduring legacy of the southern textile industry, company-owned mill villages, and the union struggles of the 1930s. Focusing on Spartanburg County, South Carolina, G. C. Waldrep offers an eloquent study of the hopes and fears that define patterns of labor activism.Revealing a complex meshing of community ties and traditions with the goals and ideals of unionism, Waldrep shows how unions fed into a social vision of mutuality, equality, and interdependency already established in mill villages. This powerful sense of community, however, ultimately rested on sand. Because the villages themselves were the p...
Lyrics of incarnation, of method and meat-hood, of illness and the vicissitudes of love, earthly as well as heavenly. What is the relationship between touch and language?--
A year of epistolary writing culminating in one of the most extensive collaboration books in the history of American poetry.
"Here is a gorgeous book of the most subtle and vivid mysteries, weighted with earth and time."--Li-Young Lee While hiking the Marin Headlands north of San Francisco, G.C. Waldrep became fascinated with how the military installations there impact the landscape's spectacular natural beauty. Thus, Waldrep produced "The Batteries," a sequence of nine poems that probe the interrelationship between beauty and violence. Poems from Disclamor have garnered G.C. Waldrep the 2006 Alice Fay Di Castagnola Award from the Poetry Society of America and a 2007 NEA Fellowship. He holds a PhD in American history from Duke University and an MFA from the Iowa Writers' Workshop.
Poetry. Literary Nonfiction. Art. Jewish Studies. If there is a country named Celania—as Julia Kristeva once proposed—its holy texts are filled with doubt, and they overcome this doubt almost successfully, with words of wrenching, uncompromised beauty.... The book in your hands is not intended to become one of those heavy scholarly tomes that serve as a "proof" of one's position in the literary/academic hierarchy. Rather, this is a collection of various works, directed at, or inspired by, the words of Paul Celan. What we wanted to make was a living anthology, in which authors observe the poet's work, read it deeply, penetrate and discuss it, but also play with it, remake it, and attempt to fit it into their own worldviews. A great poet is not someone who speaks in stadiums to a thousand listeners. A great poet is a very private person. In his privacy this poet creates a language in which he is able to speak, privately, to many people at the same time.
How do poets use language to render the transcendent, often dizzyingly inexpressible nature of the divine? In an age of secularism, does spirituality have a place in modern American poetry? In Thick and Dazzling Darkness, Peter O’Leary reads a diverse set of writers to argue for the existence and importance of religious poetry in twentieth- and twenty-first-century American literature. He traces a poetic genealogy that begins with Whitman and Dickinson and continues in the work of contemporary writers to illuminate an often obscured but still central spiritual impulse that has shaped the production and imagination of American poetry. O’Leary presents close and comprehensive readings of t...
Winner of the 2003 Colorado Prize for Poetry Published by the Center for Literary Publishing at Colorado State University
US Poet Laureate W.S. Merwin was arguably the most influential American poet of the last half-century - an artist who transfigured and reinvigorated the vision of poetry for our time. Bloodaxe published his Selected Poems in 2007. At 82, Merwin produced 'his best book in a decade - and one of the best outright' (Publishers Weekly), and a collection which has won him his second Pulitzer Prize in the US and a Poetry Book Society Recommendation in the UK. The nuanced mysteries of light, darkness, presence, and memory are central themes in his latest collection. 'I have only what I remember,' Merwin admits, and his memories are focused and profound-the distinct qualities of autumn light, a conversation with a boyhood teacher, well-cultivated loves, and 'our long evenings and astonishment'. In 'Photographer', Merwin presents the scene where armloads of antique glass negatives are saved from a dumpcart by 'someone who understood'. In 'Empty Lot', Merwin evokes a child lying in bed at night, listening to the muffled dynamite blasts of coal mining near his home, and we can't help but ask: How shall we mine our lives?
Poetry. This nearly 600-page anthology brings together seminal work in the genre of the pastoral as it has evolved into the 21st century. The book's sections on New Transcendentalisms, Textual Ecologies, Local Powers, and The Necropastoral indicate the range of work being represented. Featuring some of the most provocative and innovative poets of the current moment, this anthology has been curated not only with an eye to an exhilarating reading experience, but to the literature and creative writing classrooms as well. An accompanying web site with a teachers' guide will make this volume especially valuable for students and teachers. Contributors: Emily Abendroth, Will Alexander, Rae Armantro...
This long poem enacts the restless mind at work, which becomes the ground for action, for critique and for re-imagining America