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Josephine Pinckney (1895--1957) was an award-winning, best-selling author whose work critics frequently compared to that of Jane Austen, Edith Wharton, and Isak Dinesen. Her flair for storytelling and trenchant social commentary found expression in poetry, five novels -- Three O'Clock Dinner was the most successful -- stories, essays, and reviews. Pinckney belonged to a distinguished South Carolina family and often used Charleston as her setting, writing in the tradition of Ellen Glasgow by blending social realism with irony, tragedy, and humor in chronicling the foibles of the South's declining upper class. Barbara L. Bellows has produced the first biography of this very private woman and e...
The first full-scale biography of the South Carolina writer and winner of the Pulitzer Prize follows her pioneering work as a chronicler of the collapse of Southern plantation life and its effect on African Americans. UP.
Over the years, the phrase “southern oratory” has become laden with myth; its mere invocation conjures up powerful images of grandiloquent antebellum patriarchs, enthusiastic New South hucksters, and raving wild-eyed demagogue politicians. In these essays, Waldo Braden strips away the myths to expose how the South’s orators achieved their rhetorical effects and manipulated their audiences. The Oral Tradition in the South begins with two essays that trace the roots of the South’s particular identification with oratory. In “The Emergence of the Concept of Southern Oratory, 1850–1950,” Braden suggests that it was through the influence of southern scholars that southern oratory gai...
All to One Another collects some of the best recent articles and speeches of Andrew A. Sorensen, twenty-seventh president of USC, on the evolving place of institutions of higher learning at the local and global levels as good stewards of existing resources and as entrepreneurial innovators. Informed by his distinguished career as a university educator and administrator, Sorensen stresses here the importance of building partnerships both on and off campus to foster the vitality of the university; of pursuing new avenues in diversity, technology, and research to secure the investments of a dynamic base of constituents; and of effectively managing the interconnected responsibilities needed by university leaders. The subjects and occasions of these pieces vary greatly, but the statements are unified by a common vision of hope for our future in the teaching, research, and outreach of higher education.
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Dante Gabriel Rossetti, Pre-Raphaelite extraordinaire, is unique as Victorian proto-expressionistic painter-poet, who relentlessly sought representation of a tormented personified-self through the communicative relationship between image and word. In this interdisciplinary study is considered the narrative interaction that unifies ideas and forms into a self-expressive dialectical that informs of autonomous individualism and gender politics as a social problematic. Rossetti, known universally as a charismatic and vibrantly passionate man, is tangibly revealed in the most tenderly transparent narratives to be a haunted and socially subjugated man who searched for self-definition as a man and as an artist. By an intricate analysis of key textual and visual narratives Yildiz Kilic provides an insightful and wholly original interpretation of Rossetti as Victorian victim and innovator.
This book explores the impact of the Middle East and the Orient on writing and performance in nineteenth-century British theatre.
During her life she labored to educate South Carolina's African Americans, fought for women's equal participation in politics, and eventually took a role in the Socialist Party of America.".