You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
George Bernard Shaw (1856-1950). Irish playwright. Recognised as one of the wittiest, most provocative, prolific writers of his age. Writings include: Man and Superman, Pygmalion, Major Barbara. Volume covers the period 1892-1951.
When George Bernard Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw's life and achievements in context, with forty-two scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw's life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.
Although George Bernard Shaw is today best remembered for his work as a playwright, he also penned numerous novels over the course of his creative career. Cashel Byron's Profession explores class issues in a story that follows the blooming love affair between a prizefighter and his upper-class inamorata.
British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language. Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual "enemy," once calling the Irish playwright "most savagely serious man of his time." This 1909 critique of Shaw's work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw. Exploring the writer's work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaw's grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.
Mr. Whitefield has recently died, and his will indicates that his daughter Ann should be left in the care of two men, Roebuck Ramsden and Jack Tanner. Ramsden, a venerable old man, distrusts John Tanner, an eloquent youth with revolutionary ideas, saying "He is prodigiously fluent of speech, restless, excitable (mark the snorting nostril and the restless blue eye, just the thirty-secondth of an inch too wide open), possibly a little mad". In spite of what Ramsden says, Ann accepts Tanner as her guardian, though Tanner doesn't want the position at all. She also challenges Tanner's revolutionary beliefs with her own ideas. Despite Tanner's professed dedication to anarchy, he is unable to disarm Ann's charm, and she ultimately persuades him to marry her, choosing him over her more persistent suitor, a young man named Octavius Robinson.
This volume covers all aspects of Shaw's drama, focusing both on the political and theatrical context, while the illustrations showcase productions from the Shaw Festival in Canada.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
None