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Feydeau Plays: 2
Kenneth McLeish's definitive translations of the most successful French dramatist of the Belle Epoque Georges Feydau (1862-1921) was the most successful French dramatist of the belle epoque and is now widely regarded as one of the greatest of farce-writers. His series of dazzling hits matched high-speed action and dialogue with ingenious plotting. Reaching the heights of farcical lunacy, his plays nevertheless contain touches of barbed social comment and allowed him to mention subjects which would have provoked outrage in the hands of more serious dramatists. This volume of new, sparkling translations by Kenneth McLeish contains two plays from the peak of his career, The Girl from Maxim 's and She's All Yours (La Main Passe), together with an early work, Jailbird (Gibier de potence).
From Marriage to Divorce
Feydeau's major farces are universally admired, but relatively few people are familiar with his early work. When Feydeau left school in 1879 he began writing monologues for leading actors and actresses to perform in salons and at charity concerts But by 1882 he had progressed to the one-act play, which he continued to write through his career. The most successful were the four published in this volume, written between 1908 and 1911, and which he always wished to see published together, as they are here, under the title From Marriage to Divorce. The plays are more or less based upon the breakdown of his own marriage. This volume includes the plays Better Late, One Month Early, Take Your Medicine Like a Man and Don't Walk About With Nothing On. These translations were commissioned by the BBC.
Feydeau Plays: 1
Kenneth McLeish's definitive translations of the most successful French dramatist of the Belle Epoque Georges Feydau (1862-1921) was the most successful French dramatist of the belle epoque and is now widely regarded as one of the greatest of farce-writers. His series of dazzling hits match high-speed action and dialogue with ingenious plotting. Reaching the heights of farcical lunacy, his plays nevertheless contain touches of barbed social comment and allowed him to mention subjects which would have provoked outrage in the hands of more serious dramatists. This volume of new, sparkling translations by Kenneth McLeish contains his two masterpieces, Heart's Desire Hotel (L'Hôtel du libre échange) and Sauce For the Goose (Le Dindon), with three other plays from the peak of his career, The One That Got Away (Monsieur Chasse!), Now You See It (Le System Ribadier) and Pig in a Poke (Chat en poche).
Feydeau: Three Farces
Georges Feydeau, once considered as purveyor of slapstick farces, is now accepted as France’s best comic dramatist since Moliere. He once said that to make people laugh you have to place your cast in a dramatic situation and then observe them from a comic angle, but they must never do or say anything which is not strictly demanded, first by their character and secondly by the plot. Includes the plays Fitting for Ladies, A Close Shave and Sauce for the Goose. In Fitting for Ladies, a man on the look-out for a new romantic rendezvous is mistaken for a dressmaker... In A Close Shave, a woman's would-be lover has to assume the identity of her artist husband, who is about to be called up for military service. In Sauce for the Goose, a man discovers that the woman he is pursuing is the wife of an old friend...
Cocteau & Feydeau: Thirteen Monologues
Original illustrations by Jean Cocteau and Andrzej Klimowski Two of the seven monologues by Jean Cocteau (1889-1963) in this edition were written for Édith Piaf. The other five were written for Cocteau’s friend, the celebrated actor Jean Marais, to perform on radio. Although perhaps a minor part of Cocteau’s output of films, plays, poems and ballet scenarios, these exquisite miniatures remain a fascinating form of his dramatic expression. Georges Feydeau (1862-1921) is best known for his enduring farces, such as A Flea In Her Ear, yet he wrote over 20 monologues for actors to perform at charity concerts and in fashionable drawing rooms. The six included in this volume were written over a period of 16 years from 1882. Peter Meyer’s translations of eleven of these monologues were commissioned by the BBC and performed on radio by leading actors including Eileen Atkins, Jill Bennett, Richard Briers, Judi Dench, Alec McCowan and Timothy West. The Liar and I Lost Her have been newly translated for this volume.
Five by Feydeau
Georges Feydeau (1862-1921) is considered second only to Molière as a great writer of French comedy and yet his reputation, at least in English-speaking countries, rests largely on a half dozen plays. This book features new translations of five of his lesser known works as seen from the perspective of a stage director: Brothers In Crime (Gibier de potence), The Dressmaker (Tailleur pour dames), All My Husbands (Le mariage de Barillon), That's My Girl! (Occupe-toi d'Amélie), and Nothing But The Tooth (Hortense a dit: «Je m'en fous»). The Introduction provides biographical information, traces the most significant influences in Feydeau's output, and discusses farce as a dramatic genre.
