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This is the first major retrospective gathering to appear in an English-Spanish bilingual format of the work of one of Mexico's foremost writers. It is a glittering and giant technical achievement, as brilliant and instantly visible as Hart Crane's The Bridge.
"Arranged chronologically by decade, from the 1890s to the 1990s, each decade is divided into two different types of writing: critical/documentary and imaginative writing, and is accompanied by a headnote which situates it thematically and chronologically. The Reader is also structured for thematic study by listing all the pieces included under a series of topic headings. The wide range of material encompasses writings of well-known figures in the Irish canon and neglected writers alike. This will appeal to the general reader, but also makes Irish Writing in the Twentieth Century ideal as a core text, providing a unique focus for detailed study in a single volume."--BOOK JACKET.
Ghost Fishing is the first anthology to focus solely on poetry with an eco-justice bent. A culturally diverse collection entering a field where nature poetry anthologies have historically lacked diversity, this book presents a rich terrain of contemporary environmental poetry with roots in many cultural traditions. Eco-justice poetry is poetry born of deep cultural attachment to the land and poetry born of crisis. Aligned with environmental justice activism and thought, eco-justice poetry defines environment as “the place we work, live, play, and worship.” This is a shift from romantic notions of nature as a pristine wilderness outside ourselves toward recognition of the environment as h...
David McWhirter was born in 1741 in Lancaster County, Pennsylvania or possibly in Ireland. He married Mary Poston (1750-1846) 31 Mar 1766 in Lancaster. They had nine children. David died in 1846 in Pickens District, South Carolina. Descendants and relatives lived mainly in South Carolina, Georgia, Alabama, Mississippi, Florida, Arkansas and Texas. Includes Blackwell, Borden, Callaway, Cross, Deese, Denson, Featherstone, Hannon, Hood, King, Kirkes, Lesly, Looper, McAnally, McClure, Mock, Paine, Prickett, Richbourg, Shaw, Shields, Shuller, Watkins, Watson, Williams, Womack and related families.
An exciting new collection of poems by “one of the Spanish-speaking world’s greatest living writers” (LA Review of Books) Self-Portrait in the Zone of Silence, by the renowned Mexican writer Homero Aridjis, is a brilliant collection of poems written in and for the new century. Aridjis seeks spiritual transformation through encounters with mythical animals, family ghosts, migrant workers, Mexico’s oppressed, female saints, other writers (such as Jorge Luis Borges and Philip Lamantia), and naked angels in the metro. We find tributes to Goya and Heraclitus, denunciations of drug traffickers and political figureheads, and unforgettable imaginary landscapes. As Aridjis himself writes: “a poem is like a door / we’ve never passed through...” And now past eighty, Aridjis reflects on the past and ponders the future. “Surrounded by light and the warbling of birds,” he writes, “I live in a state of poetry, because for me, being and making poetry are the same.”
An encyclopedia of Tennessee genealogy, Acklen's "Bible Records and Marriage Bonds" is one of the foremost Tennessee source-books in print. It consists almost entirely of records of births, marriages, and deaths, plus marriage licenses of Dickson, Knox, Lebanon, and Wilson counties. Sections devoted exclusively to marriages generally run chronologically, giving exact dates and full names of brides and grooms. The bible records, however, offer the most substantial evidence of family connections and, in the manner of such records, are actually organic family records listing names and dates of birth, marriage, and death through several generations, depending, of course, on the extent to which a particular bible was handed on in the family and kept up to date. The work is complemented by a surname index of nearly 15,000 entries.
Words We Call Home is a commemorative anthology celebrating more than twenty-five years of achievement for the UBC Creative Writing department -- the oldest writing program in Canada. The more than sixty poets, dramatists, and fiction writers included provide just a sample of the energy and vision the department has fostered over the years. From Earle Birney's pioneering efforts in 1946, to the birth of the department in 1965, to the present day, the programme has created a place for aspiring, talented writers.
Giving deserved attention to nearly 150 neglected films, this book covers early sound era features, serials and documentaries with genre elements of horror, science fiction and fantasy, from major and minor studios and independents. Full credits, synopses, critical analyses and contemporary reviews are provided for The Blue Light, The Cat Creeps, College Scandal, Cosmic Voyage, The Dragon Murder Case, The Haunted Barn, Lost Gods, Murder in the Red Barn, The New Gulliver, Return of the Terror, Seven Footprints to Satan, S.O.S. Iceberg, While the Patient Slept, The White Hell of Pitz Palu and many others.