Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

The Vercelli Book
  • Language: en

The Vercelli Book

  • Type: Book
  • -
  • Published: 1902
  • -
  • Publisher: Unknown

None

The English Language in America
  • Language: en
  • Pages: 408

The English Language in America

  • Type: Book
  • -
  • Published: 1952
  • -
  • Publisher: Unknown

None

Revival: The Vercelli Book (1932)
  • Language: en
  • Pages: 252

Revival: The Vercelli Book (1932)

  • Type: Book
  • -
  • Published: 2018-09-03
  • -
  • Publisher: Routledge

In accordance with the plan of this collective edition of Anglo-Saxon poetry, as announced in the Preface to the first volume, containing the texts of the Junius Manuscript, the poetical parts of the Vercelli Book are here groped together in a second volume.

Andreas, And, the Fates of the Apostles
  • Language: en
  • Pages: 238

Andreas, And, the Fates of the Apostles

  • Type: Book
  • -
  • Published: 1906
  • -
  • Publisher: Unknown

None

The Paris Psalter and the Meters of Boethius
  • Language: en
  • Pages: 308

The Paris Psalter and the Meters of Boethius

None

Andreas and the Fates of the Apostles
  • Language: en

Andreas and the Fates of the Apostles

This book is a collection of two epic poems from the Anglo-Saxon period. The first, Andreas, tells the story of St. Andrew's mission to rescue St. Matthew from cannibals. The second, The Fates of the Apostles, relates the deaths of the twelve apostles. These poems provide a fascinating insight into the literary and cultural history of early England. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Revival
  • Language: en
  • Pages: 312

Revival

This book is the first volume in a collective edition, the plan of which includes all the surviving records of Anglo-Saxon poetry. The main body of Anglo-Saxon poetry as it has come down to us is contained in four important miscellany manuscripts, the Junius Manuscript, the Vercelli Book, the Exeter Book, and the Beowulf Manuscript, each of which will constitute a separate volume in this edition. The remaining minor and more or less scattered examples of Anglo-Saxon poetry will be grouped together, in a volume of volumes of their own.

The Anglo-Saxon Poetic Records
  • Language: en
  • Pages: 316

The Anglo-Saxon Poetic Records

  • Type: Book
  • -
  • Published: 1931
  • -
  • Publisher: Unknown

None

The Complete Old English Poems
  • Language: en
  • Pages: 1248

The Complete Old English Poems

Includes the Junius manuscript, Exeter book, Vercelli book, Beowulf and Judith, metrical psalms of Paris Psalter and the meters of Boethius, poems of the Anglo-Saxon chronicle, riddles, charms, and a number of minor additional poems.

Dramatic Discourse
  • Language: en
  • Pages: 350

Dramatic Discourse

  • Type: Book
  • -
  • Published: 2005-06-20
  • -
  • Publisher: Routledge

Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance.