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George Sugarman
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George Sugarman
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Shape of Space
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George Sugarman
American sculptor George Sugarman (1912-1999) was discarding the prevailing sculptural conventions of his time as early as 1959, dispensing with the pedestal and placing his work directly on the floor, breaking individual sculptures into multiple related units and employing a dramatic, almost baroque use of color. "In my sculpture, the color is as important as form and space," he wrote. "An important aspect is that the color is not used decoratively. It's not used to be pretty or attractive. It is used to articulate the sculpture in space." Works such as "The Shape of Change" (1964), "Yellow and White" (1967) and "Threesome" (1968-1969) exemplify the radical spirit of Sugarman's sculpture from this period. This publication offers an in-depth look at Sugarman's work during the 1960s--large-scale wood sculptures of eccentric, proliferating forms painted in brilliant hues--and accompanies the most comprehensive presentation of the artist's work in more than 25 years.
George Sugarman
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Shape of Space
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New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
George Sugarman
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Sugarman
Describes Sugarman's St. Paul Sculptural Complex.
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
