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Memoir of George Wilson
  • Language: en
  • Pages: 566

Memoir of George Wilson

  • Type: Book
  • -
  • Published: 1860
  • -
  • Publisher: Unknown

None

George Wilson Note
  • Language: en
  • Pages: 2

George Wilson Note

  • Type: Book
  • -
  • Published: Unknown
  • -
  • Publisher: Unknown

Note to D. Douglas [?] regarding a visit from Douglas to Wilson.

A Sketch of the Life of George Wilson, the Blackheath Pedestrian
  • Language: en
  • Pages: 84

A Sketch of the Life of George Wilson, the Blackheath Pedestrian

  • Type: Book
  • -
  • Published: 1815
  • -
  • Publisher: Unknown

None

Sleeper v. Wilson, 266 MICH 218 (1934)
  • Language: en
  • Pages: 8

Sleeper v. Wilson, 266 MICH 218 (1934)

  • Type: Book
  • -
  • Published: 1934
  • -
  • Publisher: Unknown

59

George Victor (Bill) Willis
  • Language: en

George Victor (Bill) Willis

  • Type: Book
  • -
  • Published: 1950
  • -
  • Publisher: Unknown

Diary kept by George Victor (Bill) Willis. Remarks mainly concern work and life on the family farm at Meerlieu, via Stratford, Victoria.

George V. Wilson Collection
  • Language: en

George V. Wilson Collection

  • Type: Book
  • -
  • Published: 1973
  • -
  • Publisher: Unknown

100 Years, St. John's Episcopal Church of Sturgis, Michigan by George V. Wilson, 1973.

The Concealed Coalfield of Yorkshire and Nottinghamshire
  • Language: en
  • Pages: 316

The Concealed Coalfield of Yorkshire and Nottinghamshire

  • Type: Book
  • -
  • Published: 1926
  • -
  • Publisher: Unknown

None

The Geology of the Orkneys
  • Language: en
  • Pages: 250

The Geology of the Orkneys

  • Type: Book
  • -
  • Published: 1935
  • -
  • Publisher: Unknown

None

Film As Film
  • Language: en
  • Pages: 208

Film As Film

Here at last is an introduction to film theory and its history without the jargon. Noted film scholar V. F. Perkins presents criteria for expanding our understanding and enjoyment of movies. He employs common sense words like balance, coherence, significance, and satisfaction to develop his insightful support of the subtle approach and of the unobtrusive director. Readers will learn why a scene from the humbler movie Carmen Jones is a deeper realization of filmmaking than the bravura lion sequence in the classic Battleship Potemkin. Along the way Perkins invites readers to re-experience with clarity, directness, and simplicity other famous scenes by directors like Hitchcock, Eisenstein, and ...